Metaphysical conceits are not too strictly defined, but the general idea is that the poet makes use of a clever and unusual extended metaphor throughout much or all of a poem.
In Holy Sonnet XIV, the idea of the speaker as a city barricaded against God's advances is a metaphysical conceit.
Donne is really interested in physical, earthly love, but also really into God and holiness. The huge problem he must deal with is that he is trying to define a sacred, spiritual relationship, but the only tools at his disposal are the language we use and the lives we lead here in the non-sacred world. The Bible makes a big point of this the language God uses is not the language we can use, so the kinds ofcomparissons Donne can make are inherently limited. Our words and metaphors just cannot describe what happens when you get close to God. Donne writes about something he really cannot express, and that struggle is a big calling card for all of his poetry.
It is in the final couplet, that Donne describes how he 'never shall be free' unless God 'ravishes' him. This powerful image that is deemed as holy creates a paradox between purity and sin, symbolising God dominating Donne with ultimate control to become unified as one in the hope of gaining an immortal partner.
Considering John Donne's personal and professional history, Holy Sonnet XIV can also be seen as a personal processing with his own struggle with God and religion in general.
These comparison were very useful to understand the whole poem and read it in a deep way.
Answer:
correlation between grades and success in life. The only correlation found was between grades and academic success. In other words, for those who aspire to academic studies, scores predict success.
The writer uses a lot of adjectives that portray the rat as a dirty creature, and by using enumeration with the feelings, he conveys that the character is overwhelmed . Also, the use of similes helps us a visual image of the rat,maki g us feel as though we were there to experience this ourselves.
<h2>♨ANSWER♥</h2>
Cell phones have changed everyone’s lives since the 1980’s. Some of the cell phones we have today have internet so we can use them both, for work and for play. This is more than half of the time we spend. Cell phones change lives in a bad way because we become attached to them. They affect grammar and listening.
The apple company has come out with so many new apple products. That include about five different iphones. So many teens have the iphones now that everyone has been getting them. Having the iphone also helps kids to fit in. Even kids under thirteen have cell phones and text with them 24/7.
In some public schools kids use them during class and don’t even get in trouble. Even some teachers in public schools text during class or talk on the phone. So even adults are obsessed with their phones. If schools don’t take phones before school starts, then kids are going to think they can use their phones whenever they want. Teenagers are probably way more obsessed with their cell phones than adults though.
Cell phones also help us in a good way though. We are more connected with people than people back in the days were. If we want to talk to somebody we can just call them. When we’re out and we need to call our parents we can call them without having to use a friend’s phone and embarrassing yourself. Plus if we want to go somewhere we can call or text for a ride so we can also connect for travel easier too.
Cell phones are both good and bad for everyone. If we use them all day, everyday then thats a bad thing. If we use them for work or connection thats a good thing. We can use cell phones for many reasons. Cell phones can change everyone’s lives.
<u>☆</u><u>.</u><u>.</u><u>.</u><u>hope this helps</u><u>.</u><u>.</u><u>.</u><u>☆</u>
_♡_<em>mashi</em>_♡_
Answer:
“Lady Lazarus” As a Representative of Death: The poem details the tragic life of a lady and she was trying to end herself. She says that she has tried to end herself many time, but surprisingly survived every time. She asks those who saved her from peeling off the napkin from her face and see her wounded soul.
