In order to acclimate children to war and mold them into effective killing machines, Lieutenant Jabati and his men employ several different tactics: drugs, pop culture, and several modes of emotional manipulation transform boys into killers. When Beah is about to go on his first raid, he is handed white pills for "energy". These white pills, plus brown brown and marijuana create a constant haze. Ultimately, there is a disconnect from reality when the addiction takes hold. Without the drugs, as in Benin Home, Beah becomes aggressive and the boys resort to raiding the hospital to quell their hunger. When the drugs begin to wear off, Beah's headaches return - as do images of slaughter.
Violent movies, like the drugs, help to create a surreal, dreamlike atmosphere for the boy soldiers. They would often go on attacks in the middle of films like Rambo or Commando, sometimes acting out techniques seen in the movies on the battlefield, and then pick up where they left off when returning to base. The reality of war bleeds into the fiction of war films, which helps to further disconnect the soldiers from the truth of situation. Beah's almost cinematic nightmares feel like a product of this conditioning and only through rehabilitation is he able to confront and discuss his wartime actions.
When he is being trained, Beah learns to channel his rage and seek vengeance for his family. Though he had spent months suppressing his emotions for the sake of survival, Lieutenant Jabati and his men encourage Beah and the boys to tap into the fear and anguish in order to kill. This gives the boys a personal motivation for each kill; though it is unlikely they are targeting the actual rebels who murdered their families. Jabati also exploits his authority by staging contests where the person who kills a prisoner fastest is the "winner". When Beah wins, there is a sense that Jabati is proud of him. In a way, Jabati becomes a father figure to the boys. When Beah and Alhaji are given up to the UNICEF workers, Beah feels betrayed by Jabati. In creating a power dynamic between them, Beah's trust is shattered. It takes the efforts of nurse Esther and other aid workers to begin rebuilding Beah's trust in adults.
The kind of complement indicated by the word hill in the phrase, 'Ancient remains are making the normally flat land hilly', is a object complement. An object complement is used with words such as choose, name, and make. It modifies or renames the object.
Answer:
Mary will need to be registered in the other state she wants to work with.
Explanation:
Some professionals have professions that need to be registered in the professional's state of operation so that he or she is able to practice their profession. This is the case with Mary's profession that is registered in her state and that state restricts the use of the title "Certified Interior Designer". Mary is only entitled to practice in the state in which she is registered, so if a client has contacted Mary to work in another state, she must apply for registration in that state.
“Bernice Bobs Her Hair” is largely a discussion of the value of femininity, and of what society expects of a young woman in 1920s America. Nearly every character in this story, major or minor, holds some opinion on the matter—and both Bernice and Marjorie evaluate themselves against the traditional feminine standard, to different conclusions. Fitzgerald uses this very difference to underscore the struggle that teenage girls faced in 1920: that is, being forced to define themselves as a demographic while lacking the maturity to do so in a healthy way. The older model of femininity, represented by Marjorie’s mother, Mrs. Harvey, values women who are delicate, quiet, and marriage-minded. By the 1920s, this approach had become useless in preparing young women for the world. However, the new model that Marjorie represents—aiming to shock, amuse, and allure as many boys as possible—tends to reward only personalities like hers, and offers only shallow rewards at that. Bernice can find no comfortable place between these two extremes, and both sides threaten unpleasant consequences if she fails to conform. Ultimately, Fitzgerald doesn’t propose a solution to this problem, but shows, in Bernice, the impossibility of perfectly conforming to society’s standards of femininity.
