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The smile in Kooning's Woman I painting is a reference to Renaissance art, specifically the Monalisa's smile which can be interpreted as either smirking or disgust.
<h3>Who was Willem de Kooning?</h3>
Willem de Kooning (1904 - 1997) was a Dutch American nationalized painter, an exponent in the years after World War II of abstract expressionism and gestural painting.
One of his best-known works is the Woman series. In the case of the first work of this series, the author refers to Renaissance art because the expression of the woman's lips refers to Monalisa's lips, which do not have a clear expression and allow interpretation by those who contemplate her.
Learn more about painting in: brainly.com/question/25795412
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In archaeology, rock art is human-made markings placed on natural stone; it is largely synonymous with parietal art. A global phenomenon, rock art is found in many culturally diverse regions of the world. It has been produced in many contexts throughout human history, although the majority of rock art that has been ethnographically recorded has been produced as a part of ritual. Such artworks are often divided into three forms: petroglyphs, which are carved into the rock surface, pictographs, which are painted onto the surface, and earth figures, formed on the ground. The oldest known rock art dates from the Upper Palaeolithic period, having been found in Europe, Australia, Asia and Africa. Archaeologists studying these artworks believe that they likely had magico-religious significance.
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ExplanEroica Symphony is the third symphony of the famous German composer, Ludwig van Beethoven. It is also called Sinfonia Eroica in Italian which means heroic symphony. The symphony was premiered on 1805 in Vienna and received an unfavorable criticism from the critics. It takes time for the critics to denounce it in public. One critic tried to defame it and one tagged the symphony as an immoral composition.
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