The correct answer is ochre
Answer:Balance.
Contrast.
Emphasis, Dominance and Focal Point.
Harmony and Unity.
Movement.
Repetition, Rhythm and Pattern.
Proportion and Scale.
Variety and Variation
Explanation:
Because I am taking art and im really good at art and i passing that class
Answer:
The elements of art and principles of design are the fundamental pieces that make up an artwork. Most works of art will make use of many or all of the elements and principles of art. We often judge art by how effectively the artist used these design fundamentals even before we learn about them. The elements of art are the building blocks of an artwork: color, line, shape, form, value, texture, and space. They are the tools artists use when creating an artwork. The principles of design are how those building blocks are arranged: contrast, rhythm, proportion, balance, unity, emphasis, movement, and variety. They are the ways an artist can organize the elements of art to create a wide range of effects. Each of these art fundamentals are closely related and many of them overlap. When combined, they produce a complete artistic vision.
Explanation:
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One way that the Romans were able to create larger interior spaces in their architecture than the Greeks is by the use of concrete, which is lighter, stronger, and less expensive than marble. The Romans also became very skilled at the construction of bricks, which are also stronger and less expensive than marble.
Because concrete is lighter than marble, concrete buildings do not require as much interior support (e.g., columns) to hold them up. Fewer columns or interior support structures mean more interior space.
I got this information from: https://www.enotes.com/homework-help/why-were-romans-able-create-larger-interior-spaces-445813
I hope I helped:)
The Arts and Crafts movement was a response to the social and aesthic changes brought on by the Industial Revolution.
Artists in this movement spent a lot of time focusing on quality, appeal, and design because they were discontent with the cold, mechanical, and indifferent face of new 19th century designs.
