Answer:
In fiction, ‘internal conflict’ refers to a character’s internal struggle. A character might struggle with an emotional problem such as fear of intimacy or abandonment, for example. Internal conflict is important for characterization, since flaws and internal struggles make characters more lifelike and sympathetic.
External conflict, on the other hand, refers to the conflicts between a character and external forces. This type of conflict can be between one character and another or a group (or between groups of characters). It can also be between a character and more abstract forces. For example, a bleak and hostile environment in a post-apocalyptic novel.
Both types of conflict, internal and external, are useful because they create:
Tension: Because of conflict’s uncertainty, we want to know how it resolves and keep turning pages to find out
Stakes: Conflict suggests worst-case outcomes and makes resolution urgent (the hero must overcome the antagonist/environment or themselves ‘or else…’)
Character development: Conflict allows for dramatic incidents and confrontations that test characters and cause them to learn and adapt
So how do you use external and internal conflict to develop characters
Explanation:
The narrator and main character who begins her story at almost six years old. A rebellious tomboy, Scout has a fierce disposition toward any who challenge her, but at heart she believes in the goodness of people. Scout reacts to the terrible events of the book without losing hope in humanity.
Answer:
Pathos.
Explanation:
Aristotle's text Rhetoric primarily discusses the 'art of persuasive speech.' He offered three distinct modes of persuasion namely ethos, pathos, and logos that the authors can employ to convince their audience in various ways. Ethos stands for 'an ethical appeal that persuades the audience ethically' while 'logos' aim to convince them logically and 'Pathos' is demonstrated as the appeal that convinces the audience by eliciting their emotions. the author employs descriptive language to arouse the audience's emotions and elicit the desired response and acceptance from them.
An internal conflict; the protagonist vs. internalized social forces.
The internal conflict can also develop between the protagonist and herself. However, this is not the case here, as she is struggling to overcome the supposed obstacles that others (her family) are imposing upon her. It's not that she doubts her own capabilities or competence; it's that others doubt her capabilities, based on the fact that she is a woman.
The answer is c by the writer
