The dramaturgy genre cultivated since Greek and Roman times and tend to conserve the original structure of the plays. That´s the reason why all options are correct.
Among them, the moralizing didactic content is central. The theater was accessible to the people, therefore, the works were written with an educational purpose. In Seneca as well as in Shakespeare's Romeo and Juliet, a reflection is promoted on the audience about the passions and values of men and women in society.
Due to the tragic cadence of Romeo and Juliet and the seriousness of the themes that Seneca approached, the author worked with a character and a chorus of singers which utility was to act as a comic relief. In this way, the audience didn´t get angry with the scenes depicted.
In both plays - Romeo and Juliet and Seneca´s - we can mention the prophetic dreams. One of the characters anticipates the tragic final because he or she dreams the overcome of terrible episodes.
These dreams lead the characters to confront a tragic fate. As well as the poor Oedipus was condemned to fall in love with his mother, Romeo and Juliet were sentenced to die separately.
Nevertheless, the nature of fate in each play is different. Edipo ´s destiny was influenced by the decisions of superior gods and stars while Romeo and Juliet´s outcome has to deal with human limitations.
The answer is A because "stolen from a high-security museum" is a sub-clause.
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deconstruction, form of philosophical and literary analysis, derived mainly from work begun in the 1960s by the French philosopher Jacques Derrida, that questions the fundamental conceptual distinctions, or “oppositions,” in Western philosophy through a close examination of the language and logic of philosophical and literary texts. In the 1970s the term was applied to work by Derrida, Paul de Man, J. Hillis Miller, and Barbara Johnson, among other scholars. In the 1980s it designated more loosely a range of radical theoretical enterprises in diverse areas of the humanities and social sciences, including—in addition to philosophy and literature—law, psychoanalysis, architecture, anthropology, theology, feminism, gay and lesbian studies, political theory, historiography, and film theory. In polemical discussions about intellectual trends of the late 20th-century, deconstruction was sometimes used pejoratively to suggest nihilism and frivolous skepticism. In popular usage the term has come to mean a critical dismantling of tradition and traditional modes of thought.
Deconstruction in philosophy
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