Answer:
In Churchill's "Blood, Toil, Tears, and Sweat" speech, he invites the House to approve of the war measures he has put into place.
Explanation:
This speech is a famous one given by Prime Minister Winston Churchill at the beginning of WWII. His call "to wage war, by sea, land and air, with all our might and with all the strength that God can give us" is now famous in British history.
Specifically, he uses the word invite in the context of "I now invite the House, by the Resolution which stands in my name, to record its approval of the steps taken and to declare its confidence in the new Government."
He has just created a War Cabinet that will hopefully provide strong administration for the nation against the German threat. He is then seeking the government's support of his actions.
I think that it is False
Copyright does extend to intellectual property
Answer:
If your options are:
A. The poem uses variations of meter to affect rhyme.
B. The poem’s sentences flow across stanzas.
C. The poem’s stanzas have varying lengths.
D. The poem uses nontraditional syntax and rhyme scheme.
Then the answer is D.
Explanation:
The nontraditional syntax is best shown in the use of enjambment - interrupting the thought and syntactic structure in the middle and moving the rest to the next line. For example: "and older than the // flow of human blood (...)"
Here, the definite article "the" has been separated from the noun "flow", which means the phrase is visually broken in half.
- A isn't true because this poem conveys its meaning through rhythm and not rhyme. There are virtually no rhymes here and the syntax (sentence structure) is disrupted, invoking the sound of a river flowing in irregular but consistent waves.
- B isn't true because the sentences do flow across lines but not across stanzas.
- The stanzas do have varying lengths. But even though this element was pretty rare prior to the 20th century, it is not exclusive to modernist poetry. That's why C isn't true either.
Answer: C) The heartbreak of unrequited love is akin to death.
Explanation: From the given options, the one that represents the larger universal idea about life that the mourner's whispers convey in the excerpt from "Violets" is the corresponding to option C: The heartbreak of unrequited love is akin to death, because in the excerpt the narrator says that a broken heart ceased to flutter being still young, indicating that the sensation of a broken heart resembles death.
