Increase for both? I dont see any awnser choices soo..
Answer:
Napoleon gains power over the animals by two means. First, he twists the ideas of the animals' revolution to suggest that questioning his authority is tantamount to treason to Animal Farm, and the good of the whole. This is part of his larger strategy of manipulation of the truth. Squealer, his "propaganda minister," is especially adept at getting the animals to believe whatever is necessary to promote Napoleon's power. After Napoleon drives Snowball from the farm, for example, it is Squealer who convinces the animals that constructing the windmill was actually Napoleon's idea (even though Snowball had publicly endorsed it against Napoleon's wishes). He further suggests that Snowball, who had in fact fought bravely in the battles to establish Animal Farm, had in fact been in league with Jones, the farmer, the whole time. Snowball's ability to twist information is best exemplified by the winnowing down of the original Seven Commandments to one, which claims that while all animals are equal, some animals "are more equal than others."
Explanation: Well, The speaker says that it is hard for Nature to "hold" the color gold. This just means that the gold hue doesn't last long. he also means that (nothing good or precious can last forever) by using nature and The Garden of Eden as metaphors for cycles of life and death and the loss of innocence. so in short it's A.)
Answer:
B. the teacher has had a proper upbringing
Explanation:
The teacher is well aware that Myra isn't taking much interest in her routine task or studies and she has written something to make her speak up and get involved with the class. On seeing such a comment Myra decides to tell her teacher why she is upset and not getting involved. Now the teacher can apply other strategies to Myra to be an optimistic and start doing her work.
Theme: an idea that reoccurs in or pervades a work of art or literature.
How to identify: to identify theme you first need the story’s plot, this way the story uses characterization and the primary inflict of the story.
