Answer:
type of reasoning that corresponds (deductive, inductive and analog), basing your choice in all cases. a) Several ¨Hering¨ brand shirts that I bought at different stores faded quickly. Consequently, I will not buy shirts from that brand again, they will surely fade. b) In one province, one out of every two respondents out of a sample of five hundred turned out to be illiterate. Therefore, 50% of the inhabitants of this province are illiterate. c) Spain built a great empire and then declined. Portugal also built a great empire and then came its decline. The same happened with England. Therefore, all the great empires decline. d) If you invest your savings in that business, the risk is great. But if the risk is great, the rate of profit is high. Therefore, if you invest your savings in that business, the rate of profit is high. e) Diego's car has good direction, good start but little speed. Ernesto's car has good direction and a good start. So Ernesto's car has slow speed. f) January is the only hot month. Today is a very hot day. Therefore, we are in the month of January.
Explanation:
When we perceive all the relationships within a film are clear and economically interwoven, we would say the film has a Unity element.
<h3>
What are the five linguistic components of the film?</h3>
Camera stance, focus, and movement, as well as mise en scene, lighting, sound, music, editing, and performance, are all components of cinematic language. Camera framing: A camera angle and framing can convey a character's mood to us. For instance, if a character is being viewed from a low perspective, it implies that the character is significant or powerful. Lighting and color: a dim, gloomy environment can suggest that we should be nervous or afraid. Performance: The key to deciphering an actor's emotions throughout a movie is their performance. With the help of their facial expressions, body language, tempo, and tone, they can convey this in a variety of ways.
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Answer:
B
Explanation:
Terpsichore (1612) Terpsichore is a compendium of more than 300 instrumental dances published in 1612 by the German composer Michael Praetorius. The collection takes its name from the muse of dance.
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