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Westerners sometimes describe<em> Chinese music </em>as "Loud". The <em>Chinese </em>themselves consider the northern style more dynamic and energetic and the southern style softer and more graceful. The classical <em>music</em> of Confucian scholars, such as qin zither <em>music </em>and lyric <em>songs</em>, is naturally soft
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Answer:
a) Baroque artists sought to convey figures full of emotion and energetic movement.
Explanation:
Baroque artists were trying hard to <u>express energy, emotion, movement, dynamics, and drama</u> through their art as well as their sculptures. We can look into works of some of the most famous Baroque sculptors like Bernini, Maderno or Mochi, to see <u>sculptures that are in movement, full of expression, details, emotions, and life. </u>
Renaissance was aiming more for a classic, realistic style that celebrated the figure and the simplicity, <u>while the Baroque style was full of life and drama, embodied through sharp contrasts, theatrical facial expressions, movement, and ornamentation. </u>
Here is the answer.....The Led Zepplin song 'Since I've been loving you' is a primary example of how a hard rock band used a blues rift and melody. One hears the Blues influence from the very begining with is slow guitar notes and continues throughout with Robert Plant's pleading lyrics.
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Answer:
Foi uma nova arte.
Explanation:
Em seu manifesto O Nascimento da Sexta Arte, publicado em 1911, o teórico do cinema italiano Ricciotto Canudo argumentou que o cinema era uma nova arte, "uma conciliação soberba dos Ritmos do Espaço (os Artes Plásticos) e dos Ritmos do Tempo (Música e Poesia). ", uma síntese das cinco artes antigas: arquitetura, escultura, pintura, música e poesia (cf. Hegel's Lectures on Aesthetics).
Canudo mais tarde acrescentou a dança como um sexto precursor, uma terceira arte rítmica com música e poesia, tornando o cinema a sétima arte. Em Paris, fundou uma revista de vanguarda La Gazette des sept arts em 1920, e um clube de cinema, o CASA (Club des amis du septième art), em 1921. Seu ensaio mais conhecido Réflexions sur le septième art ("Reflexões sobre a sétima arte ") foi publicada em 1923 após vários rascunhos anteriores, todos publicados na Itália ou na França.
