Answer:
You have cold feet -idiom
I have butterflies in my stomach -idiom
Your such a couch potato -idiom
It's raining cats and dogs - idiom
Turn over a new leaf -idiom
Dont make a mountain out of a molehill -idiom
He has completely lost his head -idiom
you cant have dollar if it dont make cents - expression
I am PRETTY sure it mean's that someone killed a person from that person's family.
Sorry if I am wrong.
Answer: In "Through the Tunnel" Jerry starts out with the desire to feel included. He usually hangs out with his mom, where he is safe. When he sees a group of boys having fun, he decides to join them. They all swim into a tunnel shortly after. When he isn't able to swim through the tunnel, he is ridiculed. He continues to practice by himself on the days where the older boys aren't there, and once he gets badly hurt. Still, he goes and tries again. The main conflict in the story is that Jerry wants to be independent. He wants to prove to himself that he can get through the tunnel. Once he manages to do so, he spends time with his mom again or by himself. It is no longer about impressing the older boys, for he feels independent and doesn't need to do so. The moral of the story is that Jerry gets out of his comfort zone, and he is rewarded by accomplishing his goal as well as earning a sense of independence, something many adolescents struggle with. Therefore, the sentence that best summarizes the story is this: In "Through the Tunnel" Jerry challenges himself for more.
Explanation:
Answer:
No, none that I am aware of. In Shakespeare’s time, a tragedy meant that the main character falls from fortune to disaster, normally because of a flaw or fate. Obviously, other characters may be unharmed, or may even benefit from the protagonist’s downfall. I’m not writing to make fun of other posters, but we could as easily call the Matrix a tragedy because Agent Smith loses, or say that Titanic has a happy ending for coffin salesmen. Yes, Macduff or Fortinbras do well at the end of their plays, but they are not the protagonists.
For that reason, because a pre-modern tragedy definitionally means that the hero falls, and that’s what happens in Shakespeare’s plays, I’d say no. There are “problem” plays such as the Merchant of Venice, where the opposite happens—a comedy has a partly sad ending, with Shylock’s defeat—but again, it’s all in what the protagonist does, and Antonio (the merchant) wins at its close when his ships return
