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Name the three main types of relief sculptures. Which do you think would be the most difficult to create? Why?

Arturiano [62]

There are three basic types of relief sculpture: (1) low relief where the sculpture projects only slightly from the background surface; (2) high relief where the sculpture projects at least half or more of its natural circumference from the background, and may in parts be wholly disengaged from the ground, thus approximating sculpture in the round. [Sculptors may also employ middle-relief , a style which falls roughly between the high and low forms]; (3) sunken relief, where the carving is sunk below the level of the surrounding surface and is contained within a sharpely incised contour line that frames it with a powerful line of shadow. The surrounding surface remains untouched, with no projections. Sunken relief carving is found almost exclusively in ancient Egyptian art, although it has also been used in some beautiful small-scale ivory reliefs from India.

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3 years ago

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Explain why the 1960's proved revolutionary for the anime industry in Japan?

Dmitry_Shevchenko [17]

Answer:Japan began producing animation in 1917—still the age of silent films—through trial-and-error drawing and cutout animation techniques, based on animated shorts from France and the United States. People started talking about the high quality of Japanese “manga films.” But Japanese anime were costlier to produce than Western animations and were overshadowed by the popularity of Disney cartoons. They faced an uphill battle from the start.

One of the things that helped them find their niche was anime production for public relations and publicity campaigns by public institutions. Domestic anime production was beginning to develop a small but solid foundation when Tokyo and the surrounding area suffered catastrophic damage in the Great Kantō Earthquake in 1923. The anime industry was forced to start over from scratch.

The industry continued to struggle, unable to respond adequately to successive innovations, including the appearance of the first talkies in 1929 and color film in 1932. During this period, Ōfuji Noburō won international acclaim for Bagudajō no tōzoku (The Thief of Baguda Castle), which he made by cutting and pasting chiyogami (Japanese colored paper). His film is remembered as the first to make its presence felt outside Japan.

Many other promising anime artists appeared one after another, but with war approaching, goods were in extremely short supply as the national mood turned militaristic. Even film was not easy to get hold of. It was in this context that the first full-length theatrical film in the history of Japanese anime was released. Momotarō: Umi no shinpei (Momotarō’s Divine Sea Warriors, B&W, 74 minutes), produced by the navy, came out just before the end of the war. This was a propagandistic film designed to lift morale and commitment to the war effort.

Soon after the war ended, the General Headquarters of the Allied occupation (GHQ) brought together 100 anime artists in the bombed-out ruins of Tokyo to form the Shin Nihon Dōgasha, or New Japan Animation Company. The aim was to make it easier to spread occupation policies by having the artists produce anime in praise of democracy. However, many of the artists were fiercely independent and territorial, and the company was riven by disagreements from the outset. The project strayed off course, and eventually disbanded. Even GHQ threw in the towel. It seemed the switch from militarism to democracy was not going to be so easy.

Explanation:

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3 years ago

How would a painting of a tree with morning sun behind it differ and/or remain the same when rendered with chiaroscuro than if i

polet [3.4K]

A painting of a tree with morning sun behind it differs and/or remains the same when rendered with chiaroscuro than if it were rendered with tenebrism as Tenebrism would render the shadows cast by the tree darker. and Chiaroscuro would render the tree as having depth. Options A and C. This is further explained below.

<h3>What is Tenebrism?</h3>

Generally, Tenebrism is simply defined as a technique that uses the great contrasts of light and dark in figurative compositions to heighten their dramatic effect in Western art history.

In conclusion, Tenebrism would darken the shadows cast by the tree. and Chiaroscuro would make the tree appear to have depth.