Answer:
to create a sense of tension
Explanation:
When an artist uses symmetrical balance in a work, he is putting a tone and tension, of disharmony, discomfort and imbalance in the work presented. This is because the asymmetric balance imposes, in fact, an imbalance of the image. This is because the two sides of the image are different from each other and each element has a negative weight that cannot be found on the other side.
The correct answer to this open question is the following.
Although there are no options attached we can say the following.
In contrast to the consistently bright and flattened colors on the left side of the work, the right side is composed of only black-and-white images of varied values, suggesting that the artist not only wished to emphasize the process used but also was "intrigued by the actress recent death."
We are talking about the famous Marilyn Monroe's portrait created by famous pop artist Andy Warhol.
In this particular piece of work, Warhol uses repetition of Marilyn's photographs in the canvas, trying to differentiate his work from past paint approaches in the distribution of color. Warhol tried to immortalize the iconic figure of actress Marilyn Monroe, one of the most popular figures in the history of the United States.
Andy Warhol (1928-1987) was an iconic American Pop artist who led the Pop movement in New York, in the 1960s. In 1964, he inaugurated his famous art studio called "The Factory," where he made his art exhibitions.
He liked Jean Renoir and Orson Welles' work for their use of wide vistas and deep focus photography because he believed that these techniques would give viewers more opportunity to interpret what they saw on film as they would in real life.
<h3>Who was Andre Bazin?</h3>
French film critic and theorist André Bazin (18 April 1918 – 11 November 1958) was well-known and respected. In addition to co-founding the acclaimed film magazine Cahiers du cinéma in 1951 with Jacques Doniol-Valcroze and Joseph-Marie Lo Duca, Bazin began writing about movies in 1943. His claim that reality is the primary purpose of cinema makes him stand out. His demand for objective reality, intense concentration, and the absence of montage are all related to his conviction that the viewer should be free to interpret a movie or scene as they see fit. This put him at odds with film theory from the 1920s and 1930s, which focused on how the movie industry could distort reality.
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The Tell Tale Heart is a good coparison of some challenges many eighth graders might face. Including, the guilt of lying or deceiving someone and being extremely annoyed by someone or something.
