Ya see you do the thing that happens when thing happen to be done
Answer:
Explanation:
What could be a worse fate for a modern American female poet than to be lumped into a nebulous, chauvinistic and ever slightly misogynistic pool of cess stereotyped as a “domestic poet.” Anyone unfamiliar with the term coming across it from the first time in reference to a female poet might well believe that domestic poetry is sweetly rhyming verse taking as its subject situations like getting the kids into the van for soccer practice, making cookies for the PTA meeting and, of course, a litany of hatred expressed toward husbands who are never there to help with domestic issues.
Never mind that Robert Frost and Walt Whitman and Wallace Stevens have all at one time or another found a niche within the broadly defined movement or genre of domestic poetry. Which, for the same of brevity, shall be termed poetry dealing with the commonplace of everyday as opposed to epic tales, transcendental unity of man with nature, mysticism, avant-garde experimentation with form over content and various other assorted and sundry types of poems with which the average person cannot relate. Linda Pastan, in other words, writes poems in which she consistently returns to touch upon universal themes dealing with family and relationships and the difficulties of normal existence and the emotional distress of just getting up and living live as it comes.
The tension that always exists between members of a family regardless of the definition or connotation applied to the term “family” has been a great source of inspiration to Pastan from her earliest verse and throughout her development and maturation. By contrast, an equally concentrated examination of the tensions introduced by religious and spiritual expectations has tended to dissipate throughout that process of growing older and becoming more domesticated. In its place Pastan has created a body of work that is far more elegiac and meditative and, it must finally be admitted, less domestic. With the introduction of a more melancholic and reflective poetry that moves into a greater sense of isolation and a solitary contemplation of tactile nature rather than abstract spiritualism, Pastan succeeds in tossing off whatever chains may have been tied around her verse as a result of the unfortunate constriction of trying to pigeonhole her as merely a domestic poet.
Answer: Children’s literature is written with child readers in mind. It is often written with children of a particular age group in mind, taking their reading ability into account. It is also written on topics that would most likely be of interest to children.
Adult literature is not written with child readers in mind. The language does not make concessions to the reading ability of children, and the plots and characters are usually written with adult readers in mind.
Explanation:
The Great Gatsby is a novel by American author F. Scott Fitzgerald. Set in the Jazz Age on Long Island, close to New York City, the novel portrays first-individual storyteller Nick Carraway's cooperations with baffling tycoon Jay Gatsby and Gatsby's fixation to rejoin with his previous sweetheart, Daisy Buchanan.
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The effect of Gatsby reaching through the dark setting toward the light is:</h3>
Option B
- It creates mystery and interest.
The lesson of The Great Gatsby is that the American Dream is at last impossible. Jay Gatsby had achieved incredible riches and status as a socialite nonetheless, Gatsby's fantasy was to have a future with his one genuine affection, Daisy.
Regardless of being a critique on an alternate age and individuals, Gatsby's story is as significant today as it was the point at which it was composed.
Since it investigates all inclusive topics - human imprudences, the misery of cultural develops and man's battle with time and destiny.
Therefore the correct answer is option B i.e. It creates mystery and interest.
For more information, refer the following link:
brainly.com/question/26203357
One difference between the two families can be illustrated by examining their homes. The Foster family's home is cold and unwelcoming, while the Tuck family's home is a very warm and welcoming house. The book begins by describing the Foster house as a "touch-me-not" house. It's one of those homes in which everything looks neat and organized, but you are not allowed to touch anything.
: Hope this helps :)
