The correct answer is the Exodus.
That word literally means - the exit. So obviously it represents a sort of an ending of something, in this case, a play. The Prologue is in the beginning of a play, and episodes and stasimons are in the middle - episodes are events, and stasimons are poems/songs.
I understand the Question But where is the passage that go along with it like didnt they give a passage to read?
The correct answer is letter c. Chekhov describes a cold, dark setting near the lodge. <span>Chekhov's description of the setting that supports the banker's evil plan to kill the lawyer by describing</span><span> a cold, dark setting near the lodge -- description of the setting support the banker's evil plan to kill the lawyer.</span>
Answer:
Stockton's concept of love was a bit different than what others have in the stories written by him, he is seemed to bring out love with jealousy from the characters of his story. This is unique and different idea and he is the only one to write stories like this defining love with a different angle as no one has seen before.
Explanation:
Stockton's concept of love was a bit different than what others have in the stories written by him, he is seemed to bring out love with jealousy from the characters of his story. This is unique and different idea and he is the only one to write stories like this defining love with a different angle as no one has seen before.
Answer:
The title "Borges and I" introduces the concept of dual identity that is core to Borges's essay. Borges contemplates the nature of identity as twofold. The "I" represents the inner identity, and the name "Borges" indicates the external identity. Creativity, for Borges, begins in the complex inner identity. It is influenced by personality and experience, such as the experience of reading literature. Borges points out that he finds himself more in the books that he has experienced than in those he has written. Thus, his inner identity is shaped by the things he reads, while his outer identity is represented by the things he writes. According to Borges, as soon as he takes an idea and makes it into a story or a book, it no longer belongs to his inner self but becomes part of his public "persona."
The dual nature of personality presented by Borges is problematic to the author. He expresses a feeling of loss when parts of him become falsified and magnified as they transfer to his public persona. Yet, Borges also recognizes the necessity of both parts of his identity. The literature that belongs to the Borges persona is also integral to the inner identity. Borges writes that "this literature justifies" his interior identity. It is the external expression of Borges's internal creative force. Though he struggles with that exterior persona, it is also essential to manifest his creativity.
