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GREYUIT [131]
3 years ago
8

Ximena is writing an essay comparing the genres of editorial and biography.

English
2 answers:
Nataly [62]3 years ago
8 0

Answer:

hook, thesis statement, analysis of editorials, analysis of biographies, side-by-side comparison of editorials and biographies, summary of the main ideas

Explanation:

arlik [135]3 years ago
5 0

Answer:

C

Explanation:

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Explain the main conflict between a character and<br> society in "The Lottery,
const2013 [10]

Answer:

Someone has already answered this

Explanation:

They just actually doing the wrong way of controlling their population by launching a lottery and killing the one who gotten the black mark/circle. The central conflict in “The Lottery” is the external conflict of person vs. society, because it is the traditions of the village that cause Tessie Hutchinson to be killed, and one other person a year before her. A person vs. society conflict exists when the rules or governance of the society come into conflict with the character.  The character is threatened or impaired in some way by society.  In this story, all characters are at conflict with society because the victim is chosen by lottery, but the Hutchinsons are the main conflict.

“The Lottery” is the story of a village that sacrifices one of its people each year.  The victim is chosen by lottery.  There is no reason for this murder, except that things are done as they always have been.

No one knows the original purpose of the lottery.  They will not even repair the three-legged stool so it can stand by itself, or replace the dilapidated black box, because “no one liked to upset even as much tradition as was represented by the black box.”  They seem to see the lottery as nothing more than an interruption in their daily routine.

"Well, now." Mr. Summers said soberly, "guess we better get started, get this over with, so's we can go back to work.

People in the village act the way they do because that is the way it’s always been.  The lottery has been used since the first villagers settled, so they continue it.  No one questions anything.  Parts of the ritual only change when no one can remember them.

This story represents the costs of going along with everyone else.  If people don’t question things because no one else questions them, then grave injustices will continue.  The mob mentality allows individuals to be anonymous and not held accountable for their choices.  Like peer pressure, people just go along with whatever is done by the next person.

Read more on Brainly.ph - https://brainly.ph/question/437574#readmore

4 0
3 years ago
The man in the house short story ​
dolphi86 [110]

The Man of the House by Frank O'Connor we have the theme of innocence, temptation, guilt, responsibility,  Based solely on the fact that he has no money What is also interesting about the story is that though Gus' mother is poorly One thing thing that the main character learnt from his experience.

 

In The Man of the House by Frank O'Connor we have the theme of innocence, temptation, guilt, responsibility, control, resilience, redemption and acceptance.

The setting influences the plot, which includes the story's events. Certain actions are more likely to take place in specific environments. Also, the story's tone and theme rely on its setting Characters' backgrounds influence how the characters relate to and behave in the setting.

4 0
3 years ago
In "With a Little Help From My Friends," how did the Dumas family respond to the realization that most Americans thought Iran wa
Irina18 [472]

Answer:

option b is currect and it is very simple

7 0
3 years ago
Does the saying “Actions speak louder than words” talks about criticism or about being a critic?
Sidana [21]
Being a critic because you're  in a way judging ones actions or wrong doings 
3 0
3 years ago
Can someone paraphrase this please or make it longer (30 points) asap!
timofeeve [1]

Answer:

This chapter, set in the southernmost districts of British India in the first half of the twentieth century, argues that the colonial police were not an entity distant from rural society, appearing only to restore order at moments of rebellion. Rather, they held a widespread and regular, albeit selective, presence in the colonial countryside. Drawing on, and reproducing, colonial knowledge which objectified community and privileged property, routine police practices redirected the constable’s gaze and stave towards ‘dangerous’ spaces and ‘criminal’ subjects. Using detailed planning documents produced by European police officers and routine, previously unexplored, notes maintained by native inspectors at local stations, the chapter argues that colonial policemen also acted as agents of state surveillance and coercion at the level of the quotidian.

Explanation:

8 0
3 years ago
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