Answer:
improvisation
Explanation:
please mark as brainliest
It
depicts political authority. The mosaic of the Emperor Justinian and his court is
one of the most famous images from the Middle Ages that depict political
authority located at the church of San Vitale sanctuary in Ravenna, Italy.
Aside
from the depiction of the Emperor Justinian’s political power, the mosaic is
also a visual testament of Justinian’s reign’s major ambitions which are to
heir to the tradition of Roman Emperors and to restore the territorial
boundaries of the Roman Empire.
<span>Justinian
is a Christian Emperor so he is considering his self as a defender of faith
aiming to build religious uniformity throughout the Empire. </span>
D. Hide, this looks like the most correct answer because plains indians were constantly moving and cows etc. where one of the few things they could take with them
Answer:
Protein food items
Explanation:
because to make more delicious than before
Answer:
The iconoclastic crisis constitutes one of the most fascinating historical processes of the Byzantine Empire. Iconoclasm is understood as the doctrine and attitude of those who reject the cult of sacred images, which was created in the 8th century byzantine. Today, the meaning of the term has been extended to conduct that fails any authority, model or norm without complying with religious images.
Explanation:
Iconoclasm was one of the deepest crises in the Byzantine Empire. The conflict over images affected Byzantine social life. In this context, the iconoclasm is not just a mere rejection, but the destruction of sacred representations as a religious policy adopted by Emperor Leo III. This emperor took the throne in 717 when he went to Constantinople against the current emperor Theodosius III.
The iconoclastic complaint was a conflict that affected the entire Byzantine society from the imperial policy of Leon III regarding the destruction of religious icons and the persecution of those who worshiped. It should be said that the Byzantine religious life had reached very high in liturgical and ceremonial formalities. The icons become a kind of "magic objects" with miraculous qualities, instead of certain mere representations for the worship of the only deity. Usually, in the year 730 an edict was promulgated and the icons were banned and feelings were destroyed.