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lapo4ka [179]
3 years ago
11

When and when not to use (up) after verbs.

English
1 answer:
anyanavicka [17]3 years ago
5 0

Answer:

jdhdjd

Explanation:

<em><u>eydudufrurueue6eurur7gufirirrid</u></em>

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In the medicine bag what is grandpas personality
Lilit [14]

Answer:

To Grandpa, the medicine bag represents his cultural heritage, his father, and his son. 16 At the end of the story, Martin puts the sacred sage—an aromatic plant—in his medicine bag. Why does he do this? It fulfills Grandpa's wish.

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2 years ago
What does the sentence the night was growing longer never ending suggest about the authors viewpoint
Vanyuwa [196]

Answer: He feels like the horrors he is experiencing will last forever.

Explanation:

"Night" is Elie Wiesel's book in which he shares his experience in Nazi concentration camps (Auschwitz and Buchenwald) during the Second World War. The narrator of the story is Eliezer, a Jewish teenager.

The above-mentioned sentence suggests that the time passes slowly. Given the setting of the story, it is not surprising that the narrator has lost track of the time due to all the hardships that he went through. He feels that there is no end to the horrors in which he found himself.

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3 years ago
English6 Marking brainliest if it's correct and explain​
konstantin123 [22]

Answer:

B...? It could be A but my bet is on B.

Explanation:

3 0
2 years ago
Read 2 more answers
Anyone want to recommend me a poem to present tomorrow in class?
spin [16.1K]

Answer:

you can use a poem my friend made to help me also one i found online

Explanation:

I'm a full moon, full plate, full platter.

If you break my heart you stabbed and my blood will splatter.

Like the moon and the stars into your eyes I want to gaze.

Sometimes I used to think love was just a game people played...

thought it was fake, till you took my heart and dipped it in a lake.

Dripping with love, with my emotions please never play.

Will you be with me at night to give me light?

Like the moon, for me, please shine.- By My friend

Something i found

By BaileyClark

“Your skin is not paper, don't cut it. Your face is not a mask, don't hide it. Your size is not a book, don't judge it. Your life is not a film, don't end it.”

8 0
2 years ago
describe London in Dickens lifetime in the 1800s. Be very specific and especially talk about orphans and work conditions of poor
guapka [62]

Charles Dickens applied his unique power of observation to the city in which he spent most of his life. He routinely walked the city streets, 10 or 20 miles at a time, and his descriptions of nineteenth century London allow readers to experience the sights, sounds, and smells of the old city. This ability to immerse the reader into time and place sets the perfect stage for Dickens to weave his fiction.

Victorian London was the largest, most spectacular city in the world. While Britain was experiencing the Industrial Revolution, its capital was both reaping the benefits and suffering the consequences. In 1800 the population of London was around a million souls. That number would swell to 4.5 million by 1880. While fashionable areas like Regent and Oxford streets were growing in the west, new docks supporting the city's place as the world's trade center were being built in the east. Perhaps the biggest impact on the growth of London was the coming of the railroad in the 1830s which displaced thousands and accelerated the expansion of the city.

The price of this explosive growth and domination of world trade was untold squalor and filth. In his excellent biography, Dickens, Peter Ackroyd notes that "If a late twentieth-century person were suddenly to find himself in a tavern or house of the period, he would be literally sick - sick with the smells, sick with the food, sick with the atmosphere around him."

Imagine yourself in the London of the early 19th century. The homes of the upper and middle class exist in close proximity to areas of unbelievable poverty and filth. Rich and poor alike are thrown together in the crowded city streets. Street sweepers attempt to keep the streets clean of manure, the result of thousands of horse-drawn vehicles. The city's thousands of chimney pots are belching coal smoke, resulting in soot which seems to settle everywhere. In many parts of the city raw sewage flows in gutters that empty into the Thames. Street vendors hawking their wares add to the cacophony of street noises. Pick-pockets, prostitutes, drunks, beggars, and vagabonds of every description add to the colorful multitude.

Personal cleanliness is not a big priority, nor is clean laundry. In close, crowded rooms the smell of unwashed bodies is stifling.

It is unbearably hot by the fire, numbingly cold away from it.

At night the major streets are lit with feeble gas lamps. Side and secondary streets may not be lit at all and link bearers are hired to guide the traveler to his destination. Inside, a candle or oil lamp struggles against the darkness and blacken the ceilings.

After the Stage Carriages Act of 1832 the hackney cab was gradually replaced by the omnibus as a means of moving about the city. By 1900, 3000 horse-drawn buses were carrying 500 million passengers a year. A traffic count in Cheapside and London Bridge in 1850 showed a thousand vehicles an hour passing through these areas during the day. All of this added up to an incredible amount of manure which had to be removed from the streets. In wet weather straw was scattered in walkways, storefronts, and in carriages to try to soak up the mud and wet.

Cattle were driven through the streets until the mid 19th century. In an article for Household Words in March 1851 Dickens, with characteristic sarcasm, describes the environmental impact of having live cattle markets and slaughterhouses in the city:

"In half a quarter of a mile's length of Whitechapel, at one time, there shall be six hundred newly slaughtered oxen hanging up, and seven hundred sheep but, the more the merrier proof of prosperity. Hard by Snow Hill and Warwick Lane, you shall see the little children, inured to sights of brutality from their birth, trotting along the alleys, mingled with troops of horribly busy pigs, up to their ankles in blood but it makes the young rascals hardy. Into the imperfect sewers of this overgrown city, you shall have the immense mass of corruption, engendered by these practices, lazily thrown out of sight, to rise, in poisonous gases, into your house at night, when your sleeping children will most readily absorb them, and to find its languid way, at last, into the river that you drink."

5 0
2 years ago
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