Explanation:
completely splitting said first element in exactly 2" nodes n-dimensional second elements in such a manner that said first additional node forms a comer node
Answer:
The artist has created unity by suggesting that all the figures are in the same architectural space, which frames them, and also through their gestures and attitudes. They are all actively talking, reading, or meditating. In addition, he has created diversity by employing a significant array of colors, as well as individual and distinctive postures and expressions.
Answer:
“Impressionistic” art represents the cultural context of an era.
THE SYMMETRY
The architecture was to express this concept through perfect symmetry, harmonious proportional relationships, and the translucent white marble facing which gives the purity of the geometrical and rational planning the desired unworldly appearance. The mausoleum is raised over an enriched version of the nine-fold plan favoured by the Mughals for tombs and garden pavilions.
A variant is used in the great gate. In the mausoleum the plan is expressed in perfect cross-axial symmetry, so that the building is focused on the central tomb chamber. And the inner organization is reflected on the facades, which present a perfectly balanced composition when seen from the extensions of the axes which generate the plan.
Bilateral symmetry dominated by a central accent has generally been recognized as an ordering principle of the architecture of rulers aiming at absolute power, as an expression of the ruling force which brings about balance and harmony, 'a striking symbol of the stratification of aristocratic society under centralized authority'. A symmetric grading down to the minutest ornamental detail, particularly striking is die-hierarchical use of colour. The only building in the whole complex entirely raced with white marble is the mausoleum. This hierarchic use of white marble and red sandstone is typical of imperial Mughal architecture !
