I believe the correct answer is high relief.
When a sculpture is designed to be viewed from one side, and
protrudes dynamically from its background plane (at least half of their natural
circumference of sculpture must protrude from background plane) or is carved with
deeply incised marks is called high relief. For example, high-relief art was
made with marble by Francesco Grassia in Rome.
Answer:Japan began producing animation in 1917—still the age of silent films—through trial-and-error drawing and cutout animation techniques, based on animated shorts from France and the United States. People started talking about the high quality of Japanese “manga films.” But Japanese anime were costlier to produce than Western animations and were overshadowed by the popularity of Disney cartoons. They faced an uphill battle from the start.
One of the things that helped them find their niche was anime production for public relations and publicity campaigns by public institutions. Domestic anime production was beginning to develop a small but solid foundation when Tokyo and the surrounding area suffered catastrophic damage in the Great Kantō Earthquake in 1923. The anime industry was forced to start over from scratch.
The industry continued to struggle, unable to respond adequately to successive innovations, including the appearance of the first talkies in 1929 and color film in 1932. During this period, Ōfuji Noburō won international acclaim for Bagudajō no tōzoku (The Thief of Baguda Castle), which he made by cutting and pasting chiyogami (Japanese colored paper). His film is remembered as the first to make its presence felt outside Japan.
Many other promising anime artists appeared one after another, but with war approaching, goods were in extremely short supply as the national mood turned militaristic. Even film was not easy to get hold of. It was in this context that the first full-length theatrical film in the history of Japanese anime was released. Momotarō: Umi no shinpei (Momotarō’s Divine Sea Warriors, B&W, 74 minutes), produced by the navy, came out just before the end of the war. This was a propagandistic film designed to lift morale and commitment to the war effort.
Soon after the war ended, the General Headquarters of the Allied occupation (GHQ) brought together 100 anime artists in the bombed-out ruins of Tokyo to form the Shin Nihon Dōgasha, or New Japan Animation Company. The aim was to make it easier to spread occupation policies by having the artists produce anime in praise of democracy. However, many of the artists were fiercely independent and territorial, and the company was riven by disagreements from the outset. The project strayed off course, and eventually disbanded. Even GHQ threw in the towel. It seemed the switch from militarism to democracy was not going to be so easy.
Explanation:
Answer:
I like it but "Your" is supposed to be "You're" like "You're (you are) in the shower wondering...."
Part A: I believe the correct answer is A. There are
problems in Anne's relationship with her mother.
From these lines of dialogue in “The Diary of Anne
Frank”, Act 1, it can be concluded that there are problems in Anne’s
relationship with her mother. Anne does not hate her mother, but she would
rather be spared of her company.
Part B: I believe the correct answer is: C. We have
nothing in common. She doesn't understand me. Whenever I try to explain my…
The excerpt from the play “The Diary of Anne Frank”
which provides additional support for the correct answer to the previous
question is that Anne and her mother don’t have anything in common and that her
mother does not understand her, which is why she would rather not be in her company.
