The answer is a pencil. Not a pencile
Answer:
1 is correct.
2. Even a short walk <u>fatigues</u> my old dog.
3 is correct.
4. The mighty Mississippi <u>wends</u> its way to the sea.
5. The Empire State Building is a <u>prominent</u> landmark in New York City.
6. <u>Transport</u> is the responsibility of the shipping department.
7. The <u>glare</u> of the welding torch almost blinded me.
8. The lemur's <u>habitat</u> is Madagascar.
9. The children can <u>quench</u> their thirst at the water fountain.
10. Penguins are well-suited to the <u>rigorous</u> habitat of the Antarctic.
Explanation:
Answer:
One of the most obvious examples of imagery in A Midsummer Night's Dream is Shakespeare's descriptions of the forest. He invokes our senses to make the forest seem hypnotizing like a magical spell, in comparison to the city.
Explanation:
I hope thi helps i didnt know exactly what to put but i tried my best
The second-person “you,” likening the reader to a trusted confidant. The final line of the flashback portion of the novel is “God, I wish you could’ve been there,” suggesting Holden’s loneliness would have been relieved by having a friend like the reader with him during his experiences. The second-person address also draws attention to Holden’s unreliability as a narrator. Throughout the novel, Holden tries to convince the reader to interpret events one way while simultaneously presenting evidence that the opposite interpretation is correct. For example, he frequently insists how well he knows people – “The thing is, you didn’t know Stradlater. I knew him,” or “I know old Jane like a book.” However, his interactions with Stradlater, and his reluctance to contact Jane, suggest he is neither as intimate nor comfortable with them as he’d like the reader to believe. He also makes several references to how much he hates movies, and thinks his brother D.B. is a “prostitute” for writing for them, yet he mentions going to the movies several times. In these ways, Holden’s attempts to control the reader’s impression of him end up revealing who he really is.
Answer:
Keats’s “Ode to Autumn” can be seen as an extended metaphor for the cycle of life. In this cycle, autumn can be considered one stage of life—the stage of maturation and growth. Keats seems to be celebrating the point in the life cycle when the buds that formed in spring have attained a state of ripeness. He uses images such as ripened fruits ("mellow fruitfulness"), flowers in bloom (“later flowers”), and matured creatures (“full-grown lambs”) to further develop and emphasize this theme of growth and maturation.
Explanation:
Keats’s “Ode to Autumn” can be seen as an extended metaphor for the cycle of life. In this cycle, autumn can be considered one stage of life—the stage of maturation and growth. Keats seems to be celebrating the point in the life cycle when the buds that formed in spring have attained a state of ripeness. He uses images such as ripened fruits ("mellow fruitfulness"), flowers in bloom (“later flowers”), and matured creatures (“full-grown lambs”) to further develop and emphasize this theme of growth and maturation.
