Answer:
Of all the Impressionist artists, Renoir in particular changed his style in the 1880s. He came to believe that his work was too focused on the present time, meaning Paris in the 1880s. He worried that future viewers would not be interested in his art because it would become irrelevant. He therefore began painting subjects that were more "timeless," as opposed to scenes that were clearly set in present-day Paris. In contrast to his earlier works, like Le Moulin de la Galette, or other Impressionist works, like Manet's A Bar at the Folies-Bergere, Renoir's later works do not feature subjects that are so obviously late-19th century Parisians.
Explanation:
The Bathers is an excellent example of this shift in Renoir's works. The women are more classical in appearance. While they could be 19th century Parisian women on the banks of the Seine (the river that runs through Paris), since they are undressed they are difficult to place definitively in time. The painting has other features that are also indicative of a change in Renoir's style. The figures are rendered with much more detail; in contrast to Le Moulin de la Galette, it is clear that Renoir focused more on carefully painting the figures in The Bathers, rather than painting quickly as in the earlier work. Still, the background retains the Impressionist style of quick, rough brushstrokes, and the bright colors are also typical of Impressionist art. Although The Bathers shows a move away from the original tenets of Impressionism, it retains enough of the style to still be considered an Impressionist work.
Christ enthroned in majesty
Answer:
Some blades are specialized, like corner chisels, which have a V-shaped blade and are used to shape corners. Some chisels and blades are small and used for detail work done by hand, while others are large and meant to be hit with a mallet.
Explanation:
Answer:
the color yellow is a primary color
Answer:
It had a huge impact on African-American music as it was part of the mainstream.
Explanation:
The background to African American music is based on segregation. White America knew little or nothing of African-American music particularly the blues. It took British white bands such as The Stones to introduce this music to white American kids, covering artists such as Willie Dixon, Muddy Waters, Jimmy Reed and Howlin Wolf.
Motown was a different type of African-American music and quickly if not immediately became part of mainstream 60's American, indeed global music.
The distinctive sound of Motown, developed by Berry Gordy and based in Detroit, brought this sound to the ears of millions. Brilliant session musicians who never received proper reward, and a team of excellent song writers such as Holland-Dozier-Holland and Smokey Robinson produced songs which sold millions and developed acts which were at the forefront of 60's and 70's American music. These included, The Supremes, Four Tops, Smokey Robinson and The Miracles, Marvin Gaye, The Temptations amongst many others.
The songs also more latterly reflected the rising tensions within the USA at the time for example race riots and the Vietnam war. A notable example is Marvin Gaye's What's Going On.
