Answer:
I'm pretty sure its self concept.
Answer:
it feels like you cant breathe without hurting, everything hurts and you might even be angry because of that. sometimes when I'm lonely I scream and see if the screaming makes the weight in my chest go away. loneliness is such an unbearable silence that you talk to yourself because no one else will
Answer:
Sigo aqui a pesar
Explanation:
Sigo aqui a pesar de lo malo
De ese oscuro pasado
Siempre estoy junto a ti
Sigo aqui abrazado a lo nuestro
A este amor tan inmenso
Que no sabe morir
He llorado tanto mas
Que el cielo
Lagrimas de dolor
He tocado fondo tantas veces
luchando por tu amor
Soy incondicional
Un amor tan real que
No juzga que suena
Que sufre y perdona
Un amor de verdad
Soy Incondicional
Un amor tan real
Que no espera
Algo a cambio
Que no tiene horario
Un amor de verdad
NNNnno no no
Descubri
Que un amor verdadero
Se entrega por completo
Y eso hice por ti..
He llorado tanto mas
Que el cielo
Lagrimas de dolor
He tocado fondo tantas veces
luchando por tu amor
(coro)
Soy incondicional
Un amor tan real que
No…
I believe the correct answer is: "Beyond a bare,
weather-worn wall, about a hundred paces from the spot where the two friends
sat looking and listening as they drank their wine, was the village of the
Catalans."
In this excerpt from the novel “The Count Monte Cristo”, written by
Alexander Dumas, the quotation that best contributes to the setting of the
narrative is:
"Beyond a bare, weather-worn wall, about a hundred
paces from the spot where the two friends sat looking and listening as they
drank their wine, was the village of the Catalans."
The setting of the narrative represents the place where
narrative is being unfolded – its surroundings, position. This quotation is the
best contribution to the setting as it describes the place where the story
begins (beyond a bare, weather-worn wall, hundred paces from the spot… the village
of the Catalans).
T<span>he new verse forms and conceptual framework
Once Thomas Kyd and Christopher Marlowe start developing new rhythms and types of plays (including the revenge tragedy), actors had a lot more to work with. The new verse forms helped structure speeches that had much more power and emotion, and framing tragedies around revenge gave room for a lot more emotional appeal.</span>
