Answer:
identity achievement
Explanation:
Identity achievement is the life phase where a person has fully come to develop a "genuine aura of self." Coming to this phase in life depends on one self-exploration and an examination of the choices that are present to make in life, it could varies from traveling, taking up a number of jobs, or higher education as the case study of Vivian pinpoints to.
This phase is often not attained unto a particular time in adulthood when a person develops a certain level of experiences at one point or the other in life. This is often noted when an adult may decide to undertake a whole and peculiar changes that will affects their lives or careers as its seen in our case study o Vivian.
It could be in the form of a businessman who comes up with the idea of undertaking religious vocations or a particular person that drops a lucrative job opportunity to advance in art or a something not up to the job opportunity in times of payment structure (but has a higher level of personally satisfying) employment.
Answer:
1. Personal investment
2. Love money
3. Venture capital
4. Angels
5. Business incubators
6. Government grants and subsidies
7. Bank loans
Hope it helps
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Thank you
Awnser : john adams, Karl marx,, George washing, Thomas Jefferson, Benjamin Franklin, Alexander hamilton, john Jay, john madison
Answer:
I know that happens to me all of the time and its so annoying!! >:(
Explanation:
The Two Fridas (Las dos Fridas in Spanish) is an oil painting by Mexican artist Frida Kahlo. The painting was the first large-scale work done by Kahlo and is considered one of her most notable paintings.[1] It is a double self-portrait, depicting two versions of Kahlo seated together. One is wearing a white European-style Victorian dress while the other is wearing a traditional Tehuana dress.[1] The painting was created in 1939, the same year that Kahlo divorced Diego Rivera,[1] although they remarried a year later.
Some art historians have suggested that the two figures in the painting are a representation of Frida's dual heritage.[2] Her father, Guillermo Kahlo, was German; while her mother, Matilde Calderon, was Mestizo (a mix of Spanish and Native American).[3] Another interpretation is that the Tehuana Frida is the one who was adored by her husband Diego Rivera, while the European Frida is the one that was rejected by him.[4] In Frida's own recollection, the image is of a memory of a childhood imaginary friend.[5]
Both Fridas hold items in their lap; the Mexican Frida holds a small portrait of Diego Rivera, and the European Frida holds forceps. Blood spills onto the European Frida's white dress from a broken blood vessel that has been cut by the forceps. The blood vessel connects the two Fridas, winding its way from their hands through their hearts.[6] The work alludes to Kahlo's life of constant pain and surgical procedures and the Aztec tradition of human sacrifice.[6] Because this piece was completed by Kahlo shortly after her divorce, the European Frida is missing a piece of herself, her Diego.[4]
According to Kahlo's friend, Fernando Gamboa, the painting was inspired by two paintings that Kahlo saw earlier that year at the Louvre, Théodore Chassériau's The Two Sisters and the anonymous Gabrielle d'Estrées and One of Her Sisters.[7]
