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Llana [10]
2 years ago
7

ANYONE KNOW???? HELP!! 30PTS

English
2 answers:
Zanzabum2 years ago
6 0

Answer:

<em>Tobacco plantations</em>--→<u><em>Displaced farmers were left without fields to farm.</em></u>

<em>wool industry</em>--→<em><u>A labor-intensive crop led to labor shortages.</u></em>

<em>inheritance laws</em>--→<em><u>Younger sons were left without any share in the family estate.</u></em>

Explanation: I am 100% correct, But if you have any comments about why I placed them specifically where I did I'll gladly tell you. Questions, comments, concerns. Ask me :)

allsm [11]2 years ago
6 0
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A duplex is a single structure having ______________ separate parts.
cestrela7 [59]
A duplex is a single structure having two separate parts. 


8 0
3 years ago
Read 2 more answers
Objective
statuscvo [17]

Answer:

<h2>FACING THE GREAT ORDEAL </h2>

After arriving at the innermost cave, the hero must complete a dangerous task, such as winning a fight, solving an important riddle, or facing an internal conflict. To emerge victorious, the hero must draw upon the lessons they’ve learned throughout their journey — and possibly make a terrible sacrifice.  

This moment occurs at the approximate midpoint of the Hero’s Journey and serves as the hero’s (literal or figurative) death and rebirth, from which they emerge with newfound strength and resolve to achieve their goal.  

Katniss experiences her great ordeal in The Hunger Games when the Careers trap her with the intent to kill. Not only must she formulate an escape plan; she must decide whether she’s willing to kill to ensure her survival.

Ultimately, Katniss weaponizes a Tracker Jacker nest to distract the Career Tributes, ensuring her escape at the cost of killing two of her competitors. She emerges from this experience with the resolve to actively undermine her fellow competitors rather than continuing to hide and flee.  

 

<h2>RECEIVING THE REWARD </h2>

Despite the cost of their victory, the hero often receives some form a reward for weathering their great ordeal, usually a magical object, new insight or abilities, or the return of an ally or loved one.  

In Star Wars, Luke’s reward is the rescue of Princess Leia and the escape from the Death Star. In The Hunger Games, Katniss is rewarded with a newfound ally in Rue, a competitor who helped her formulate her Tracker-Jacker plan.

 

<h2>Beginning the Return Journey </h2>

 

ATONEMENT

With a great victory under their belt, the hero strives to return to some version of their known world. Sometimes they’ve yet to achieve their mission, though often they have. But because of the experiences of their death and rebirth, the hero is forever changed — and they recognize that something remains amiss.

The hero may try to overcome this feeling by atoning for wrongs committed during the first half of their journey, even as their renown as a hero begins to grow.  

For example, after delivering Leia to the Rebel base, Luke atones for his initial ambivalence toward the Empire by joining the rebellion as a fighter pilot, eager to take part in the upcoming conflict against the approaching Death Star.  

 

<h2>TRUE RESURRECTION </h2>

At last, the hero encounters their final battle with the dangers of the known world. Whether facing down the villain, a physical obstacle, or the choice between selfish and selfless desires, the stakes have never higher.  

This moment marks the climax of the Hero’s Journey, as well as the hero’s true rebirth. In finding victory over the dangers of the known world, they save their people from harm and fully accept their new identity.  

In The Hunger Games, Katniss experiences resurrection when she kills Cato as a form of mercy and finds a way for both she and Peeta to maintain their dignity in the face of the Capitol’s demands, ultimately ensuring their survival.  

 

<h2>RETURNING TO THE KNOWN WORLD </h2>

Having achieved their goal and attained some form of peace or satisfaction, the hero crosses the threshold into their known world. This final sequence affirms the necessity of the hero’s journey, showcasing how their quest not only led to their internal transformation but the ultimate safety of those they love.  

In some cases, the hero’s return to the known world prompts a realization or radical transformation of its own, forcing the hero to forge a new normal in which to dwell.  

Consider the Hobbits’ return to the Shire after the destruction of the One Ring. While Sam’s journey transformed him into a braver version of himself, leading him to ask for Rosie’s hand in marriage, Frodo is too traumatized by his quest to remain in the Shire. Ultimately, he makes a new home for himself by taking a ship west to the Grey Havens.  

 

Isn't the Hero's Journey an epic plot structure?  

As evidenced by the examples included in today’s breakdown, the Hero’s Journey can help writers craft incredible speculative fiction stories. However, it’s worth noting that not all stories influenced by the Hero’s Journey fit perfectly into this structure.  

5 0
3 years ago
At four hundred miles they stopped to eat,
dybincka [34]

Answer:

It shows the strength and endurance of Gilgamesh

and Enkidu.

It emphasizes the challenge of a long journey.

Explanation:

From the passage given, it is narrated that a six-week journey for an ordinary man took Gilgamesh just three days and nights.

The repetition of this passage most clearly affects the story by showing the strength and endurance of Gilgamesh and Enkidu and it emphasizes the challenge of a long journey.

7 0
3 years ago
Pygmalion
aniked [119]

Answer:

George Bernard Shaw (1856-1950) the versatile dramatist used contemporary social, political and religious problems as subjects for his plays. Pygmalion, perhaps the only one of his many plays in which he points out to his audience and his readers that he has used an ancient classical myth to explore a problem that is not merely contemporary but one that has lasted through time. This myth is the story of Pygmalion – Galatea which has been told and retold by several later writers in differing forms. In the most familiar version of this myth, Pygmalion was the king of Cyprus. He was also a great sculptor who used to make beautiful statues of bronze, marble and ivory. He was devoted to his art and always sought for perfection at any. Dressed in Opera Cloak with diamonds, fan, flowers and all other accessories she passes like a Duchess, creating sensation in the whole atmosphere. Nepummuck, the marvelous interpreter (and Higgins’ previous student also to whom he taught phonetics) identifies her as a Hungarian princess. Thus her success at the ambassador’s reception is overwhelming. But the experiment is followed by its aftermath. As euphoria of triumph is over, Eliza is faced with the stark reality. She has become disclassed, left unfit for her old life and unable for her old life and unable to forge a new one Eliza is tragic in her fear and despair. Higgins is also quite unsentimental and unromantic in his approach to Eliza. Looking to this attitude of Professor Higgins Eliza shouted on him asking; “What am I fit for? Where am I to go? What am I to do? What to become of me? Higgins’ this attitude of indifference drives her to Freddy, who worships her. Eliza leaves Higgins house and so takes decisive step into the future. Shaw explains the sexual attitude of Higgins towards Eliza in terms of the Oedipus Complex. In Appendix he says “If an imaginative boy has a suffering rich mother who has intelligence, personal grace, dignity of character without harshness and a cultivated sense of the best art of her time to enable her to make her house beautiful.

Explanation:

3 0
3 years ago
Which sentence does not contain any errors in the use of italics or quotation marks?
const2013 [10]
Without the italics, it's not going to be easy.
4 0
3 years ago
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