Answer:
The correct answer is a) the buzuq and the nay.
Explanation:
The Kurdish buzuq, which is also called buzuk, bizik, biziq, is a troubled lute with a long neck. It is believed to be of Ottoman origin, but when you listen to it, you may think that it is also related to the Greek bouzouki and the Turkish saz, since you hear Mediterranean and Anatolian timbres. Its sound box is similar to the sound box of an oud. There are 24 mobile frets on your neck, it can produce microtonal intervals. This instrument has been originally used by Kurds and Turkmens, and is now also used by the Arabs to accompany songs and in Arabic taqsim performances. The buzuqs we sell in our store are handmade, built by teachers. Its bowl is walnut, the faces are made of spruce, the necks are made of maple and have ebony fingerboards.
The ney is a wind instrument and probably the oldest, used in traditional music (Turkey, Iran, Egypt ...). From Morocco to Pakistan we can find different variants of this instrument, with different names and forms, it can be said that the nei is an aerophone from the Middle East. The ney has been played regularly for 4,500-5,000 years, making it one of the oldest musical instruments still in use. It is a precursor of the modern flute.
Answer:
You are a fart?! lol good one. BUTTT it could be air too
Explanation:
This could be her saying that everyone is thinking of the future and not the present
The architects who designed it actually created an "optical" illusion.
An optical illusion is a illusion affecting the visual framework and described by a visual precept that seems to contrast from the real. When we see a thing, the manner in which we see things in a particular territory varies essentially relying upon our angle and perspective. To neutralize it, numerous designers make an optical Illusion and it will invalidate the impact of the distortion.
Answer:
1. He employed layering and overlapping
2. He painted the church in a dim color and used bright orange colors for the closer features in the foreground
3. He also used lighting
Explanation:
The Barfüsserkirche II (Church of the Minorities II) painting by Lyonel Feininger was done in 1926 and it depicted a church that may not be instantly recognized as such by an observer, surrounded by a building in the background. A ray of light seems to illuminate the church making it quite discernable.
The church seems to be deep into the background and this illusion was achieved through the dim color used for the church and the brighter colors used for the buildings encircling the church. Layering and overlapping were also used to create depth when the buildings in the foreground were placed in front while the church was placed in the background.
