Gauguin infused his masterpiece "where do we come from? what are we?
where are we going?" with all of the given themes above except art for
art's sake.
Answer:
Leyster used tenebrism for added drama.
Picasso showed a single figure from multiple views for added drama.
Explanation:
- Cubism is preoccupied with the problem of the "object" that needs to be reconstructed, as opposed to the vagueness and impermanence of the Impressionist surface.
- Everything that relies on subjectivity or a particular and firm view must be eliminated in order to arrive at an overall, conceptual, complete variant of form ("If the senses deform, only the spirit forms").
- Picasso's statement: "I paint objects as I imagine them, not how I see them," supports this thesis. In Cubism, the influence of African art is also present, and the basis is the cube. The Cubists in the picture show simultaneously (at the same time) what we can really only see in succession (in the sequence of time, consecutively).
- Dutch Golden Age painter Judith Leyster often depicts middle-class Dutch people in work and in leisure in her paintings.
Answer:
True
Explanation:
For example, a car is a moving object, and the gap between the car and the car in front is active space as the space is constantly moving as well. If a collision was to occur with the car in front, the car in the back needs active space to react and take maneuvers to avoid hitting the car.
Answer:
Assemblage is the bonding of shapes or objects, using glue, pasting, nailing, soldering, and more. Assemblage is basically a three dimensional collage. Assemblage is most common in modern art.
Answer:
A. Gold and colored granite
Explanation:
Baroque architecture appeared in Italy in 17th century. It has different characteristics than normal architecture and it is highly decorative. This architecture includes convex and concave shapes with oval combination in the walls so it appears wavy. It was unique and new theatrical fashion in Rome.