Though Donatello was a descendant of a branch of the important Bardi family, he was brought up in a more plebeian tradition than his older contemporary Lorenzo Ghiberti. Gifted with humanistic insight and a quality of will that were highly prized in the early Renaissance, Donatello revealed the inner life of his heroic subjects, memorable images which have conditioned our very conception of 15th-century Florence. Sharing neither Ghiberti's feeling for line nor Filippo Brunelleschi's interest in proportion, Donatello worked creatively with bronze, stone, and wood, impatient with surface refinements and anxious to explore the optical qualities he observed in the world about him. His later art, saturated with the spirit of Roman antiquity, is frequently disturbing in its immediacy as it attains a level of dramatic force hitherto unknown in Italian sculpture.
There is no last number. If anyone ever comes in and tells you that he has
the highest number, ask him to let you see it. When he shows it to you, take it,
and gently add '1 ' to it. That will give you a number that's bigger than his number,
which he thought was the highest one, but really isn't.
Answer:
below
Explanation:
key signatures are important because they tell how how to play the music. For instance, in the key of C, it has no sharps or flats so you play all white keys. In the key of D, you have two sharps which are C and E. instead of playing the white notes for them you'd play the black.
Explanation:
who does not love art everyone loves art I like everything and you?
Complementary colours are colours that are combined to make a grayscale off colours
A complementary pair is when you combine colours that are opposite of each other like red and green, or yellow and purple etc.
When you put two of these colours together they cancel each other out which leads to that grayscale of colours like grey or even brown
