Answer:
He sat down and looked at the treacherous snow-covered slope. It was manifestly impossible for him to make it with a whole body, and he did not wish to arrive at the bottom shattered like the pine tree.
Halting his dogs beneath, on the river ice, he looked up, and after some searching, rediscovered it. Being dead, its weather-beaten gray so blended with the gray wall of rock that a thousand men could pass by and never notice it. Taking root in a cranny, it had grown up, exhausted its bit of soil, and perished. Beneath it the wall fell sheer for a hundred feet to the river.
Explanation:
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Answer:
<em>Great Expectations</em> occupied a fairly recently established sub-genre, autobiographical fiction, but it also incorporated other generic possibilities, in particular those of Gothic fiction and popular melodrama. For example, when the convict first comes into Pip's view, he is like an emanation from the graves in the churchyard. He is marked all over his body by the landscape and he tells the boy he wishes he were a frog or an eel. He finally limps off towards the black and deathly gibbet on the river's edge, which had once held a pirate, looking as if he were that pirate ‘come to life, and come down, and going back to hook himself up again’ (p.7). The word ‘grotesque’ can be used to describe the surprising mixture of forms, characteristic of Dickens's writing, in which human, animal and vegetable seem to intermingle, but which is nonetheless designed to win our belief. Without winning that belief, Dickens cannot hope to engage us with the moral patterning of his text.
Answer:
The first option is correct.
Explanation:
In an emergency, you don't need fresh fruit, instead, you need food that can last for a long time without going bad. You also don't need pet toys in an emergency, so we can rule out all the other answers except for the first one.
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