Answer:
trueyou have to decide whether you want it landscape or portrait
Explanation:
B) to make the sun dial an inspiring figure.
This is the Portrait of King Henry VIII but it seems it is one of the replications. The original artist is Hans Holbein the Younger but his piece was destroyed in 1698 during the fire that spread in Whitehall Palace.
This piece is like a work of propaganda for the king. Take notice:
1.) His features are very symmetrical and align with some ideals of beauty and authority back then (paler skin, watchful intense gazes, smaller lips).
2.) Color schema: royal, deep colors. Wealth, power, and fine taste like these colors and fabrics indicate a luxurious and refined lifestyle fit for a king.
3.) His pose is so fit for a ruler as it depicts confidence and self assured nature. This may help play in his favor as depicting him in a positive light to the common folk by showing him as a symbol of stability and reliability.
Eight-track sound recording is not considered to be digital media.
Answer:
The iconoclastic crisis constitutes one of the most fascinating historical processes of the Byzantine Empire. Iconoclasm is understood as the doctrine and attitude of those who reject the cult of sacred images, which was created in the 8th century byzantine. Today, the meaning of the term has been extended to conduct that fails any authority, model or norm without complying with religious images.
Explanation:
Iconoclasm was one of the deepest crises in the Byzantine Empire. The conflict over images affected Byzantine social life. In this context, the iconoclasm is not just a mere rejection, but the destruction of sacred representations as a religious policy adopted by Emperor Leo III. This emperor took the throne in 717 when he went to Constantinople against the current emperor Theodosius III.
The iconoclastic complaint was a conflict that affected the entire Byzantine society from the imperial policy of Leon III regarding the destruction of religious icons and the persecution of those who worshiped. It should be said that the Byzantine religious life had reached very high in liturgical and ceremonial formalities. The icons become a kind of "magic objects" with miraculous qualities, instead of certain mere representations for the worship of the only deity. Usually, in the year 730 an edict was promulgated and the icons were banned and feelings were destroyed.
