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Katyanochek1 [597]
3 years ago
9

Migration rates, birth rates, and death rates are all ways to measure changes in __________.

English
2 answers:
Leno4ka [110]3 years ago
8 0

Answer:

Population

Explanation:

So the number of people in a place can be recorded

velikii [3]3 years ago
8 0

Answer:

Migration rates, birth rates, and death rates are all ways to measure changes in <u>population</u>.

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How does President Reagan BEST support the
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Answer:

D. by focusing on the availability of natural resources  to support new technology​

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President Reagan can support the  argument that Soviet students have reason to be  positive about the future by  focusing on the availability of natural resources in their country  to support new technology. A country with abundance of natural resource have a reason to be positive because the raw materials needed in supporting new technology would be readily available at the country, therefore the country would develop both technologically and economically.

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Change into Passive Voice
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2 years ago
In at least one hundred words, explain how Coleridge’s “Work Without Hope” relates to Nectar in a Sieve
kodGreya [7K]
<span>ALL Nature seems at work. Slugs leave their lair—
The bees are stirring—birds are on the wing—
And Winter, slumbering in the open air,
Wears on his smiling face a dream of Spring!
And I, the while, the sole unbusy thing,
Nor honey make, nor pair, nor build, nor sing.

Yet well I ken the banks where amaranths blow,
Have traced the fount whence streams of nectar flow.
Bloom, O ye amaranths! bloom for whom ye may,
For me ye bloom not! Glide, rich streams, away!
With lips unbrighten'd, wreathless brow, I stroll:
And would you learn the spells that drowse my soul?
Work without Hope draws nectar in a sieve,
And Hope without an object cannot live.</span>

The poem is an unconventional sonnet; it develops a main idea in the first twelve lines, and is capped by a big thought in the final couplet. The poem follows a narrator describing the industriousness of nature’s creatures, preparing for the coming spring. All of Creation is at work, but the speaker is sullen as the only creature he can see who finds himself without an occupation.

He notes that while he is a part of Nature, the world does not work for him. For example, it is not for him that the amaranths (flowers) bloom, and he watches as the richness of Nature escapes from him in the streams. In the final couplet the speaker sums up his despair and explains the ultimate reason for his listlessness: he cannot work as he has no hope. He has nothing to hope for, and so he has no life to speak of. He is an observer, not a participant, in the wealth of the natural world, and as he does not partake in it, he does not receive its bounty.

<span>Markandaya uses this poem’s final couplet as an epigraph to hint that the problem described in the poem will be a central issue in the novel. Our characters here are awed by the beauty and richness of nature, but they do not always receive happiness from it. Their work is never-ending. Unlike the poem’s speaker, however, the characters in </span>Nectar in a Sieve<span> are constantly at work, but their work only provides enough to survive and not to celebrate. We learn throughout the novel that survival itself is never a certainty.</span>

<span>Markandaya’s use of the poem in </span>Nectar in a Sieve<span> is ambiguous. The epigraph puts forth, but does not answer, the question of whether the characters actually have hope. The preceding parts of the poem – which Markandaya deliberately leaves out – make it clear that Coleridge’s speaker is hopeless. Markandaya, however, gives no such certainty about her characters. Ruku, Nathan, and the others might have an object for their hope, and their work might not be in vain. If they work in vain, then their doom is certain; if they work towards survival or spiritual redemption, then their efforts become meaningful.</span>

<span>Thus the epigraph captures the central tension of the book: the beginning and end of the book never explicitly tell us whether Rukmani and her family suffer in vain. The characters of the book identify with the idea that work without hope is like nectar draining from a sieve. It is up to the reader, though, to decide whether these characters are actually working without hope. If the characters are buoyed by their hope and work, they may get to enjoy the nectar of life before it slips away.</span>
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3 years ago
How does the fisherman’s motivation move the plot forward?
I am Lyosha [343]

How does the fisherman’s motivation move the plot forward is: A. The fisherman’s determination to outwit the genii results in the climax.

<h3> How the fisherman’s motivation move the plot forward</h3>

Based on the story told by the author the fisherman was aware that he wont last long or live long except he overcome outwit genie.

The plot of the story enables the  reader knows that they can outwit or out smart a person or an individual who think they are more smarter that they are.

Therefore how  the fisherman’s motivation move the plot forward is: A. The fisherman’s determination to outwit the genii results in the climax.

Learn more about How the fisherman’s motivation move the plot forward here:brainly.com/question/10776600

#SPJ1

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Its a compound complex sentence because it is two independent clauses and a dependent clause.
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