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crimeas [40]
3 years ago
11

Tomás missed his friend Franco terribly. He meant to call him after the band competition in Spain, but he knew that Franco would

be busy with basketball camp. The time difference was another problem. With Tomás in Europe all summer and Franco in the U.S., there was always a time difference of at least eight hours. While one was awake, the other was sleeping. On many nights, Tomás would tap the valves of his trumpet, playing in his head a song from his childhood. Just thinking about the song made him feel like he was surrounded by friends and family.
Franco’s summer seemed like it would never end. He stayed so busy that he didn't have time to miss Tomás. He was planning his sixteenth birthday party when he found out that he would have to spend the last weeks of the summer with his father in Bakersfield. This meant that he wouldn’t be able to pick up Tomás at the airport like they had planned. It also messed up his plans for his back-to-school birthday party.
He had to call all of his friends to let them know of the party's new location. That's when it hit him. He could make the party a welcome back/birthday party, and Tomás would be totally surprised. He called Tomás' brother, Andrew, and made him promise not to say anything to Tomás.
Tomás was shocked to see Andrew and not Franco when he got off the plane in Fresno. He couldn't believe that Franco would leave him high and dry like that. He knew that they hadn't spoken for most of the summer, but he had assumed that Franco and he were still best friends.
When Tomás and Andrew arrived in Bakersfield, Tomás was confused and angry. He looked at Andrew and said, "Can't we just go home? I'm exhausted."
"Not yet, I need to pick up something from this friend of mine," Andrew said as he coaxed Tomás out of the car.
Tomás followed Andrew into a dark alleyway and to the gate of a backyard. As Andrew opened the gate and nudged him through, the sounds of cheers and music jolted Tomás awake. "Surprise!" a group of people screamed. As he looked around, he saw many familiar faces and, finally, a giant banner that read "Welcome Home, Tomás! . . . and Happy 16th Franco!" Then, he saw Franco. Tomás felt like he was home.

Franco changes the location of his birthday party because
A.
he wants to make sure his friend Tomás comes to the party.
B.
his father will not let him drive all the way to Bakersfield.
C.
he has to spend the end of the summer at his dad's house.
D.
his mother will not let him have the party at her house.
English
1 answer:
Lerok [7]3 years ago
5 0

Answer:

C

Explanation:

Franco changed his plans because he had to spend the end of summer at his dad's and he saw it as an opportunity to welcome Tomas too without letting him (Tomas) feel abandoned.

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1. This method of text development allows the writers to produce texts with
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Answer:

The correct answer is B. Intertext.

Explanation:

Intertextuality refers to both implicit and explicit references to other texts in a text. It has been said that a writer writes all of his texts on the basis of other books he has read, or perhaps based on his entire life experience. On the other hand, from the reader's point of view, it can be said that all texts are always interpreted in relation to some of the texts that precede them and in relation to the reader's life experience and situation. Thus, intertextual references can be observed in all literature and in culture in general.

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Write a 250-word essay in which you explain the impact of form on meaning in "Cloud.”
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Answer:

"Nature is a mutable cloud which is always and never the same." -Ralph Waldo Emerson

The poem “The Cloud” by Percy Bysshe Shelley is a lyric, written in anapestic meter, alternating in line lengths between tetrameter and trimeter. In “The Cloud,” Shelly invokes the idea of a cloud as an entity narrating her existence in various aspects. Told in 6 stanzas, Shelley has this cloud tell a unique perspective on what she is in each one.

In the first stanza, we come to understand the cloud in terms of her functions in the cycle of nature, in regards to the cycle of water and the cycle of plant life. The cloud brings water to nourish the plants and vegetation in the form of rain, which is created from the evaporated water of bodies of water. The cloud acts as shelter for the same vegetation from the sweltering heat of the Sun during its hottest hours. The moisture provided by the cloud also serves to awaken budding flowers so they may open to absorb the Sun’s rays. Finally, the cloud also serves reignite the life of plants after they have died, as hail threshes the plants (Lynch 832, note 1), and washes the grain back into the soil, starting the plant cycle over.

The second stanza describes the cloud as serene, and indifferent to what goes on beneath her, while simultaneously describing her as a vessel for disruption and unrest. As the cloud blasts trees with snow and wind, disturbing the mountaintops and rooted trees, she sleeps peacefully and unbothered. The cloud is harboring her counterpart, lightning, who, unlike the cloud, is erratic and restless. Lightning guides the cloud across the sky to find lightning’s opposite charge, where her discharges as bolts of lightning and claps of thunder, all the while the cloud sits placid and unaffected by lightning’s energy.

The third stanza portrays how the cloud accompanies the Sun from dawn to dusk. As the Sun rises, he joins the cloud to orbit across the skies, now that night is gone and the stars have disappeared. The Sun is compared to an eagle that rests on a mountain peak during an earthquake, joining the mountain for a short time in its movement. The Sun sets and leaves the sky with the pink-hue of sunset, and the cloud is left to wait until his return.

The fourth stanza depictures the movement of the Moon over the cloud. The Moon is described as being alit by the Sun’s rays, and she is seen gliding across the thin cloud scattered by the “midnight breezes” (Shelley 48). Gaps in the cloud line are attributed to minor disturbances by the moon. These gaps reveal the stars that are quickly hidden away by the shifting cloud. The Moon is then reflected in bodies of water as the cloud opens up to reveal her.

The fifth stanza describes the restrictions the cloud imposes on both the Sun and Moon, guarding the lands and seas. The cloud is pictured as a belt around both the Sun and Moon, limiting their ability to affect the earth. The Moon is veiled by the cloud, who is spread across the sky by winds, and objects below become less visible and the stars disappear from view. The cloud covers the sea and protects it from the Sun’s heat, supported at such a height by the mountains. The cloud is pushed through a rainbow, propelled by the forces of the wind. The rainbow is described as originating from the light of the Sun passing through, created by light’s reflection.

The sixth and final stanza narrates the origin of the cloud, and her continuously changing form through her unending cycle of death and rebirth. The cloud originates from bodies of water and the moisture found in within the earth and its inhabitants. She is composed through the Sun’s intervention, who’s heat evaporates the water and moisture. Although the cloud is emptied from the sky as rain, and the sky is bright from the Sun’s rays, the cloud is continuously recreated and undone in a never ending cycle.

Explanation:

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