Answer: There is more than one answer in this question.
Explanation: Artifacts throughout history have proven to be helpful in expressing their creators’ social awareness. An interconnection between art and nature does exist, whether manifested by the use of natural materials or in the form of interference with the natural environment. Geography is of utter significance, since aspects such as the geological history and geophysical view of a site (mountains, plains, oceans, seas, rivers, lakes), will probably be a fundamental piece of a creator’s own psyche. An artifact (project) may be examined either by the creator’s perspective, i.e. intentions, means, interactions with the social groups to which it is addressed, or by the recipient’s perspective, i.e. parameters of the project's recruitment and presence in the field. There are also ways of integrating large-scale work into public space: as part of an architecture, as a visual intervention in the open-air urban space, and as a functional sculptural design. Last but not least, it must be underlined that there can be several goals pursued by creators, such as remodeling of degraded environmental sites, integrating art into everyday life, raising public awareness of ecological problems or exploring innovative expressive possibilities.
Answer:
yes and yes
Explanation:
work out a schedule for practice and events etc.
Answer:
In other words, many fundamental design rules are directly connected to the Gestalt philosophy. The Principle of Similarity, also known as Invariance, suggests that the human eye tends to build a relationship between similar elements within a design.
Explanation:
Answer:
determine an instrumental ensemble for the melody
Explanation:
hope this helps
Symphonie fantastique, which depicts an artist's execution by guillotine, was composed by the nineteenth century composer Hector Berlioz in 1830.
