Lovborg believes that he can confide in Hedda because she has an unwavering hold over him. When they were together prior to her marriage to George, she made him tell her everything, even the wicked things he had done, many of which he states were not the type of things one tells in mixed company. She had so bewitched him that realized, with her, he could hold nothing back, she would find a way to pry it out of him. This is demonstrated in the manner in which Hedda led him to break his sobriety. For him, it was impossible to say "no" to her, even though he knew it might cause him pain and that she might, later, use it against him.
Answer: Where you start is where you end
Explanation:
The paradox of this passage can be best stated as that where you start is where you end because everyone in that race that started to run for something ended up at the same place where they started.
Everyone started to run very fast and soon they were very tired and the one who started slowly won the race but the winner and the ones who did not win ended up in the same place.
The Negro Artist and the Racial Mountain” In (1926) was a short essay written by poet Langston Hughes for The Nation magazine. It became the manifesto of the Harlem Renaissance. In it Hughes said that black artists in America should stop copying whites, that they will never create anything great that way. Instead they should be proud of who they are, proud to be black, and draw from black culture. Not “white is right” but, as we would now say, “Black is beautiful”.
