Answer:
Explanations believe the answer is
Alfred Eisenstaedt
He was born in west prussia.
Hope it helps ^^
Answer:
Press on the Pens a little bit when you go downwards. But lift it up again once you start moving the pencil upwards. This way the stroke will move gradually from thick to thin.
Answer:
FALSE
Explanation:
The Baroque style is complex and distinctive while the Classic is more light and rational, but both have a lot of drama, situation and action.
Baroque music, as well as folk art and architecture of the Baroque period, places an emphasis on adornment. Immediately after the Renaissance, Baroque composers were the first to establish multiple instrumentation and use complex harmonies in their compositions. Baroque music favored the strings and other harpsichord instruments, while the classical period preferred the piano, brass and wind instruments. Baroque music also allowed much more improvisation of classical music and featured many more opportunities for soloing ensemble. Baroque composers were also the first to establish opera as a musical genre.
Classical music is generally considered to have started with the invention of sonata. Early classical music was one of the first to express two different moods using sonatas - one more lyrical and one fast-paced - while Baroque music, and its predecessors composed only one mood per movement. The classical era also saw the emphasis on the piano as the main instrument used for performing compositions. Classical composers are governed by many structure rules, notably the evolution of ABA rondo style or ABACA, as opposed to the more common ABACABA baroque rondo style.
Answer:
Pieter Cornelis Mondriaan (Dutch: [ˈpitər kɔrˈneːlɪs ˈmɔndrijaːn]), after 1906 Piet Mondrian (/piːt ˈmɒndriɑːn/,[1][2] also US: /- ˈmɔːn-/,[3][4] Dutch: [pit ˈmɔndrijɑn]; 7 March 1872 – 1 February 1944), was a Dutch painter and art theoretician who is regarded as one of the greatest artists of the 20th century.[5][6] He is known for being one of the pioneers of 20th-century abstract art, as he changed his artistic direction from figurative painting to an increasingly abstract style, until he reached a point where his artistic vocabulary was reduced to simple geometric elements.[7]Mondrian's art was highly utopian and was concerned with a search for universal values and aesthetics.[8] He proclaimed in 1914: "Art is higher than reality and has no direct relation to reality. To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual. We find ourselves in the presence of an abstract art. Art should be above reality, otherwise it would have no value for man."[9] His art, however, always remained rooted in nature.
He was a contributor to the De Stijl art movement and group, which he co-founded with Theo van Doesburg. He evolved a non-representational form which he termed Neoplasticism. This was the new 'pure plastic art' which he believed was necessary in order to create 'universal beauty'. To express this, Mondrian eventually decided to limit his formal vocabulary to the three primary colors (red, blue and yellow), the three primary values (black, white and gray) and the two primary directions (horizontal and vertical).[10] Mondrian's arrival in Paris from the Netherlands in 1911 marked the beginning of a period of profound change. He encountered experiments in Cubism and with the intent of integrating himself within the Parisian avant-garde removed an 'a' from the Dutch spelling of his name (Mondrian).[11][12]
Mondrian's work had an enormous influence on 20th century art, influencing not only the course of abstract painting and numerous major styles and art movements (e.g. Color Field painting, Abstract Expressionism and Minimalism), but also fields outside the domain of painting, such as design, architecture and fashion.[13] Design historian Stephen Bayley said: "Mondrian has come to mean Modernism. His name and his work sum up the High Modernist ideal. I don't like the word 'iconic', so let's say that he's become totemic – a totem for everything Modernism set out to be."[13]
