I would say A - The sentences are too choppy.
Answer: джинсов, как шпагу из ножен, — но не успел он встать во весь рост, как его макушка ... Тебе запрещено, — мигом сказал Дадли. — Думаешь, я не знаю? ... том и мечтал, чтобы по окончании Хогвартса сражаться с Тёмными ... он поступает, когда встречается с папой на работе, — наверно, делает вид
Explanation:
Hello, I would love to help but I need more information about how it can help.
Answer: O.mg you will never believe what happened! I was out for a walk, and I started to smell burning and I looked up to see a house engulfed in flames! it was horrifying. I yelped at the sound of a screaming toddler at the winodw trying to get for air. I rushed my phone out of my pocket and called 911, and then I put my shirt over my mouth and ran in the house as fast as I could was saw the little girl on the floor passed out and I picked her up gently and ran back out before we were both burned alive. Her mother ran and thanked me and offered a reward but I ofc said no I was glad to help. I couldnt believe it all, it felt like a dream!
Explanation:
Hope this is ok lol, i.dk what this is
The most direct result of this series of events is C) the more passionate performances.
Both productions, <em>The Spanish Tragedy</em> and <em>Tamburlaine the Great</em>, meant an important change in the way of putting on a performance. This has to do with the fact that these authors decided to experiment with new rhythms and verse forms when writing their works.<u> Marlowe's play stood out due to the use of a vivid language and blank verse</u>. On the other hand, Kyd created a new genre known as 'the revenge play' since<u> </u><u><em>The Spanish Tragedy </em></u><u>included a character that personified revenge and it also contained several murders</u>,<u> which allowed the actors to give more powerful and passionate performances on stage</u>.
