Answer:
cores primárias, secundárias e terciárias.
Explanation:
As cores são classificadas como cores primárias, secndárias e terciárias. Essa classificação esta relacionada a mistura de cores realizada para que essas cores existam. As cores primárias existem sem nenhum tipo de mistura e são as cores amarelo, vermelho e azul. As cores secundárias são aquelas obtidas pela mistura de duas cores primárias e são as cores laranja, verde e roxo. As cores terciárias são formadas pela mistura de uma cor primaria com uma cor terciária e essas cores são azul-arroxeado, vermelho-alaranjado, amarelo-alaranjado, amarelo-esverdeado.
Apesar da sua pergunta ser de artes, você só pode postar perguntas em português nesse site no campo "World Languages" porque esse é o site dos EUA. Caso contrario, a sua pergunta pode ser excluída.
Answer:
Jazz improvisation means a process where new melodies are created naturally as changes occur in the sound of the chords.
Melodic, Harmonic and Motivic are the three kinds of Improvisation.
Explanation:
Jazz improvisation naturally create solos melodiously . Improvisation use chords and tones harmonically to bring about new solos. Jazz improvisation includes the following experts, Miles Davis, Bill Evans, John Coltrane and Charlie Parker.
Melodic Improvisation occur at the beginning of improvisation. It is by increasing the quantity of notes to a melody to create a new version of the tune.
Harmonic Improvisation is used by novice soloists. As the soloist play, the chord changes. This is a result of scales and arpeggios.
Motivic Improvisation is mostly used by experienced Jazz musicians. During Improvisation, the musician basically flow with the pattern of the chord as it changes, to make great changes, he adds motifs.
Answer:
cool song but that was like the trend when i was in 6th grade now im in 10th but they are still cool
Explanation:
have a great day
This painting is significant for art history because it challenged the conventions of landscape painting. It is a representation of a natural scene, but nature itself isn't the real background for the painting. The background is the painter's personality and inner psychological struggle. The wheatfield is strikingly yellow, against the deep blue color of the sky, leaving an impression of uneasiness and agitation, rather than serenity. The scene is an epitome of deep, unresolved mental anxiety, from which there is no way out. The middle road, central to the painting's composition, leads nowhere.
