Answer:
Yes
Explanation:
Yes, it is merely human nature. No matter what, we always make assumptions about people, whether it be on their looks, the way they act, etc. That is merely human nature. However, that does not make it right. Based on today's principles, it is considered immoral to make assumptions on people based on things about them. But like I said before, it is still human nature, just human nature we tend to try and avoid.
Answer:
I think it is C
Explanation:
sorry if im wrong, if its correct can i have brainliest? please and thank you!
This question is about "Fish Cheeks," where paragraph 2 reveals that the narrator feels embarrassed about her parents' culture, as is further explained below.
<h3>What is the narrator's point of view?</h3>
In the short story "Fish Cheeks," more specifically in paragraph 2, we find that the narrator's point of view is one of embarrassment. The narrator is the daughter of a Chinese couple living in a America. She has fallen in love with the minister's son, and she has just found out that the boy and his family were invited for dinner at her house.
The narrator feels embarrassed about her parents' culture and is afraid of what the boy will think of the dishes to be served during dinner. To develop this point of view, she asks herself a series of questions:
"What would Robert think of our shabby Chinese Christmas? What would he think of our noisy Chinese relatives who lacked proper American manners? What terrible disappointment would he feel upon seeing not a roasted turkey and sweet potatoes but Chinese food?"
With the information above in mind, we can conclude that the answer provided above is correct.
Learn more about "Fish Cheeks" here:
brainly.com/question/11393264
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<span>From my point of view the work on the theme in Anglo-Saxon poetics got off on what I always thought was the wrong foot. What Francis Peabody Magoun, Jr., called a theme was not what either I or Parry meant by the term. His meaning, nevertheless, was to prevail and is found in Riedinger's Speculum article—not under that name, however, but as a "cluster" of motifs. [1] Yet could it be that that is as close to my theme as can be expected in Anglo-Saxon poetry? Let us examine the proposition, because those who have sought "theme" there seem to have been frustrated, as was, for example, Francelia Clark, who has investigated this subject thoroughly. [2]
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