I would go with D. I apologize in advance if that is not correct.
Hello. You did not inform the article to which this question refers, which makes it difficult for it to be answered accurately. However, I will help you in the best possible way.
It is right to make a decision when you feel the need to defend something you believe in, or when you need to change a situation. This must be done taking into account respect and calm, so that the positioning is effective. In this case, before taking a position it is necessary to analyze the whole situation, promoting the understanding of the points of view until it is necessary to choose one. This should not be done in a hurry and based on emotions, but based on reason.
Answer:
C. I read the chapter "Quidditch" in the novel <em>Harry Potter and the Sorcerer's Stone.</em>
Explanation:
Titles of books need to be italicized and titles of chapters need to be in quotation marks.
Answer:The first constructed in 1961, the wall was the Cold War's most tangible symbol of communism and demarcation of the Iron Curtain. ... Professor Harrison: The wall symbolized the lack of freedom under communism. It symbolized the Cold War and divide between the communist Soviet bloc and the western democratic, capitalist bloc.
Explanation:
This is a short modernist fiction that celebrates the life of the imagination, and points to its shortcomings. As a narrator, Woolf was in the habit of thinking aloud and talking to herself, as well as to her imaginary readers. Here she takes the process one stage further by ‘talking’ to her own fictional creations.
She also shows the process of the artistic imagination at work, raising doubts about its own creations, asking questions, and posing alternative interpretations. She even develops lines of narrative then backtracks on them as improbable or cancels them as invalid, mistaken interpretation, or rejects them as inadequate.
In other words, the very erratic process of ratiocination – all the uncertainties, mistakes, hesitations – are reproduced as part of her narrative. She even addresses her own subject, silently, from within the fictional frame, and reflects on fictional creations which ‘die’ because they are rejected as unacceptable: