Answer:
Wreck, hope this helps ya
<span>Simple language. ... <span>Stories. ... </span></span>
Answer:
Napoleon gains power over the animals by two means. First, he twists the ideas of the animals' revolution to suggest that questioning his authority is tantamount to treason to Animal Farm, and the good of the whole. This is part of his larger strategy of manipulation of the truth. Squealer, his "propaganda minister," is especially adept at getting the animals to believe whatever is necessary to promote Napoleon's power. After Napoleon drives Snowball from the farm, for example, it is Squealer who convinces the animals that constructing the windmill was actually Napoleon's idea (even though Snowball had publicly endorsed it against Napoleon's wishes). He further suggests that Snowball, who had in fact fought bravely in the battles to establish Animal Farm, had in fact been in league with Jones, the farmer, the whole time. Snowball's ability to twist information is best exemplified by the winnowing down of the original Seven Commandments to one, which claims that while all animals are equal, some animals "are more equal than others."
Answer:
In "Landscape with the Fall of Icarus," Williams's use of the word "unsignificantly" suggests:
D. that it is not important.
Explanation:
[...]
<u><em>unsignificantly
</em></u>
<em>off the coast
</em>
<em>there was
</em>
<em>
</em>
<em>a splash quite unnoticed
</em>
<em>this was
</em>
<em>Icarus drowning</em>
<em />
"Landscape with the Fall of Icarus" is a poem by author William Carlos William. The poem describes the painting by Pieter Brueghel of the famous mythological story. <u>The painting depicts the character, Icarus, falling from the sky into the blue water of the ocean after the wax wings he had used to fly with were melted by the sun. However, as both the poem and the painting make sure to highlight, no one notices Icarus's fate. The world simply goes on without any consideration for the suffering of poor Icarus. The ship that was sailing by keeps on sailing; that farmer that was ploughing keeps on ploughing. If the event does not affect them directly, people give it no importance.</u>
Question #1:
-Although both texts share much similarities with a reoccurring reminder of isolation, their topics differentiate in point of view. In the first text, the narrator symbolizes in a third-person view as a cloud "That floats on high o'er vales and hills." (Wordsworth) However, in "The Friends That Don't Talk to Me", the speaker is him/herself as "[he/her]<span> walked alone all the way around the lake near my house." (?)
</span><span>
Question #2:
</span>-The two texts share a common theme as they both start neutral in loneliness and end up cheek in tongue with a happy ending. Despite this, both have slight contrasts in theme: The first text observes "others" with much symbolism in poetry, sending a somewhat clear message of how loneliness can open the eyes in the beauty of the world. The second theme is more straight forward as it seems to state loneliness is only temporary.
