Answer:
It is a cold day, remember to bring your jacket.
Go down the street.
There is a drummer in a band I know, his name is Cary.
The play begins at 2:00, we have to hurry.
There are hundreds of people in the stands.
Hope this helped....
Put a semicolon because it is 2 independent clauses
If the question is about the words "scuttled off" then the accurate answer would be imagery, more specifically, kinesthetic imagery, that is to say, imagery related to the vivid significance of the movement of the crab that implies both a physical gesture that reveals an emotional movement associated to that gesture. In literature, this is called "from motion to emotion". In this particular case, the movement of scuttling off implies that the patience of the crab is about to meet its limits and because the crab does no longer want to be subjected to an uncomfortable situation it translates its emotion into the motion of leaving. Furthermore, the following use of direct speech right after this motion completes the cycle of emotion to motion and then back to emotion.
Answer:
Yeah of course but when should I join?
The answers are: It does not allow listeners to interpret each character through his or her tone; and it does not allow listeners to review or reread what each character has said.
When hearing the characters voices out loud, and in the hypothetical case that it is a live audition and not a recording, one, as part of the audience, does not have, evidently, the possibility of reviewing or rereading what each character says. This may seem vane, but in reality, it can be very important when reading since sometimes the sense of what´s being read is so profound that, in order to capture in full, one needs to review a certain passage.
Also, hearing the characters has the disadvantage of making their voices concrete and specific according to whoever is speaking. This leaves out the possibility of filling the character´s voice with one´s own imagination, wit, and fantasy, which usually are very important characteristics of a fictional character (literature, in the end, is always a very subjective activity on the side of the reader).
