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PilotLPTM [1.2K]
3 years ago
5

I Will give Brainliest!!!

English
2 answers:
DIA [1.3K]3 years ago
7 0

Answer:

I could discuss Joan Didion's utilization of logical gadgets. I could depict each unpretentious comparison she forces and lecture of her extraordinary utilization of representation, yet I figure the most significant bit of the exposition would, at that point, be disregarded. In "Farewell to All That," Didion looks at her encounters in New York to the events at a reasonable. This similitude is examined in an exceptionally indirect manner. At last, however, Didion (like anyone) became worn out and disappointed with the reasonable (for her situation NYC). Fairs draw individuals in through the entryways with brilliant lights, uproarious signals, and elating games. These equivalent strategies help to draw in vacationers to New York City. Like a child at a reasonable, Didion becomes tempted by such interruptions and cannot She concedes, "Even that late in the game I despite everything enjoyed going to parties, all gatherings, terrible gatherings" (p.687). The association with the reasonable for this situation comes from a kid's capacity to be so keyed up and anxious to play the same number of games as they can, that they will even mess around they don't care for. "Awful" games (Intentional piece). This view and enthusiasm of the city, this time at the reasonable, closes. The closure is anything but a positive point in time, however rather a progressive aversion for the subtleties. Like a similar youngster at a similar reasonable, simultaneously, consistently, Didion exceeds the city and is never again fascinated. She states, "I quit having confidence in new faces" (p.687) and acknowledges, "It is unmistakably conceivable to remain excessively long at the Fair" (p.687). She can't stand the indistinguishable discussions at Grand Central, the stood up ladies on Madison Ave., Times Square, or the New York Public Library. Inevitably, Didion stays away from these spots. Like a kid who has outgrown the yearly reasonable, she vows to return following a six-month time away. Three years after Didion made that guarantee, she ends up coming back to the reasonable. Back in New York, she understands her associates are no more and her companions had moved. She states, "We remained for ten days, and afterward we took the evening trip back to Los Angeles"

mel-nik [20]3 years ago
4 0
I could speak of Joan Didion's use of rhetorical devices. I could describe every subtle simile she imposes and preach of her incredible use of personification, but I think the most important piece of the essay would, then, be neglected. In "Goodbye to All That," Didion compares her experiences in New York to the occurrences at a fair. This metaphor is discussed in a very roundabout way. Ultimately, though, Didion (like anybody) grew tired and dissatisfied with the fair (in her case NYC). Fairs lure people in through the gates with bright lights, loud buzzers, and exhilarating games. These same tactics help to attract tourists to New York City. Like a kid at a fair, Didion becomes enticed by such distractions and cannot She admits, "Even that late in the game I still liked going to parties, all parties, bad parties" (p.687). The connection to the fair in this case stems from a child's ability to be so keyed up and eager to play as many games as they can, that they will even play games they do not like. "Bad" games (Intentional fragment). This view and interest of the city, this time at the fair, ends. The ending is not a definite point in time, but instead a gradual distaste for the details. Like the same child at the same fair, at the same time, every year, Didion outgrows the city and is no longer intrigued. She states, "I stopped believing in new faces" (p.687) and realizes, "It is distinctively possible to stay too long at the Fair" (p.687). She cannot stand the identical conversations at Grand Central, the stuck up women on Madison Ave., Times Square, or the New York Public Library. Eventually, Didion avoids these places. Like a boy who has outgrown the annual fair, she promises to return after a six-month leave of absence. Three years after Didion made that promise, she finds herself returning to the fair. Back in New York, she realizes her acquaintances are no more and her friends had moved. She states, "We stayed for ten days, and then we took the afternoon flight back to Los Angeles" 
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During the party for Billy and Valencia’s eighteenth wedding anniversary, Billy is greatly upset by the barbershop quartet (219-
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This question is incomplete, here´s the complete question.

Read Slaughterhouse-Five, by Kurt Vonnegut.

During the party for Billy and Valencia’s eighteenth wedding anniversary, Billy is greatly upset by the barbershop quartet (219-30; 172-80 in the shorter edition). Summarize what happens to him in this moment and why. What do you think Vonnegut is saying about the nature of memory in this section of the book (and indeed throughout the book)?

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The barbershop quartet reminds Billy of the German officers when they saw the destruction caused by the bombing of Dresden. Billy breaks down and realizes he has some "big secret" inside. Vonnegut´s ideas about the nature of memory appear in Billy´s suppressing his emotion during the war, to end up having his later civilian life shape by what happened there.

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Traumatized by the horrors of war, Billy´s memory constantly takes him into vivid flashbacks, showing that he hasn´t truly processed what he has gone through.

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At this very moment, the International Space Station orbits Earth at a distance of 240 miles.

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We use the simple present tense when we talk about actions that happen often, habitual actions, or truths that usually do not change or that take some time to change. For example: I sleep at 10 in the evening. / Dogs bark and birds fly. / Dora lives in Spain.

Therefore, since the orbit of the International Space Station is a truth that will most likely take long to change, it seems best to use the simple present to complete the sentence. Since the subject is third-person singular, we must add -s to the verb:

- At this very moment, the International Space Station orbits Earth at a distance of 240 miles.

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