A universal theme can best be defined as D. an idea that applies to anyone, anywhere, regardless of cultural differences
<h3>What is a Theme?</h3>
This refers to the central message of a text that an author wants to convey to his audience.
Hence, we can see that a universal theme can best be defined as D. an idea that applies to anyone, anywhere, regardless of cultural differences because this idea or concept is all-encompassing.
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Answer:
- Engross the readers in the narrative and pose the lighthearted tone by using descriptive diction and expressive imagery.
Explanation:
As per the question, the effect or impact that Fitzgerald wishes to create through the given description is to engulf the readers in the plot of the story and establish the tone that would provide the readers with a specific perspective to view the text and feel about it.
He employs descriptive words like (frosted wedding-cake, wine..colored rug) along with the vivid imagery (like pale flags, gleaming white..fresh grass') that assists the readers to visualize and experience themselves being present in the room and connect to it effectively. Along with that, he combines the natural with the artificial reflected through the invoking images of breeze('blew through the room') and grass('seemed to grow'). The flowy composition of sentences and the words like 'fresh and rippled' connotes a cheery and blithe tone.
Its gonna be b trust me i seen this before on my test
The answer is <u>1, 4, 5, 3, 2</u>.
Answer:People are horrible at keeping secrets. As in, really, really bad at it (no matter what anyone may tell you to the contrary). And you know what? We’re right to be. Just like the two Rhesus Macaques in the picture above, we have an urge to spill the beans when we know we shouldn’t—and that urge is a remarkably healthy one. Resist it, and you may find yourself in worse shape than you’d bargained for. And the secreter the secret, the worse the backlash on your psyche will likely be.
I never much cared for Nathaniel Hawthorne. I first dreaded him when my older sister came home with a miserable face and a 100-pound version of The House of the Seven Gables. I felt my anxiety mount when she declared the same hefty tome unreadable and said she would rather fail the test than finish the slog. And I had a near panic attack when I, now in high school myself, was handed my own first copy of the dreaded Mr. H.
Now, I’ve never been one to judge books by size. I read War and Peace cover to cover long before Hawthorne crossed my path and finished A Tale of Two Cities (in that same high school classroom) in no time flat. But it was something about him that just didn’t sit right. With trepidation bordering on the kind of dread I’d only ever felt when staring down a snake that I had mistaken for a tree branch, I flipped open the cover.
Luckily for me, what I found sitting on my desk in tenth grade was not my sister’s old nemesis but The Scarlet Letter. And you know what? I survived. It’s not that the book became a favorite. It didn’t. And it’s not that I began to judge Hawthorne less harshly. After trying my hand at Seven Gables—I just couldn’t stay away, could I; I think it was forcibly foisted on all Massachusetts school children, since the house in question was only a short field trip away—I couldn’t. And it’s not that I changed my mind about the writing—actually, having reread parts now to write this column, I’m surprised that I managed to finish at all (sincere apologies to all Hawthorne fans). I didn’t.
But despite everything, The Scarlet Letter gets one thing so incredibly right that it almost—almost—makes up for everything it gets wrong: it’s not healthy to keep a secret.
I remember how struck I was when I finally understood the story behind the letter – and how shocked at the incredibly physical toll that keeping it secret took on the fair Reverend Dimmesdale. It seemed somehow almost too much. A secret couldn’t actually do that to someone, could it?
Explanation: