Answer:
USING A PLANNER HELPS YOU STAY MORE ORGANIZED, HELPS YOU MAKE MORE INTENTIONAL CHOICES, MEANS YOU WILL HAVE TO SPEND LESS TIME IN FRONT OF A SCREEN, MAKES YOUR MUNDANE TASKS MORE CREATIVE AND FUN, AND ALLOWS FOR BUILT-IN MEMORY KEEPING.
Explanation:
Answer:
it didn't because it was too much of a chicken
jk, that was not funny at all
Answer:
We could change the language and adapt it to reflect the contemporary English we use nowadays. That would make the play more understandable, especially for the young people and wake up their interest for the theatre.
We could change the setting, that is, time and place of some plays and adapt it to contemporary surroundings, without changing the topic of the plays, as Shakespearean problems and inner struggles are still present in the 21st century, only in different ways.
For example, we could change characters' professions or some circumstances without changing the plot of the story. Or, perhaps, try to represent some contemporary family issues, by readapting Hamlet into a boy who is fighting against his stepfather.
Stream-of-consciousness is a very stylistic form of free indirect discourse. It is not spontaneous, or unintentional, or anything of the sort. In fact, if anything, it's just the opposite. It's highly stylized, but also purposeful and calculating. It sees the world wholly through the character's mind instead of through their senses, save for how the mind and the senses interact.
It relates to a lot of things - free association, synesthesia, free indirect discourse, without actually being any of them.
<span>There's only a handful of writers that can actually do stream-of-consciousness writing with any success - Joyce and Faulkner come to mind immediately. In short, there's nothing wrong with trying it, but there's also nothing wrong with not having done that, but having done, say, free association instead.</span>
