It looks like you answered your own question, but they also change the theme of the story from one of abandonment, control, and approval/validation.
Frankenstein creates his monster after his mother dies, leaving him feeling abandoned.
His creation is an attempt to give life without the need for a woman (controlling life).
The monster spends much of the story seeking validation from his creator, who wants nothing to do with him. In some sense, this parallels Victor's inability to cope with his mother's loss, except that Victor is still very much alive. I'm sure many people view this as a religious allegory (God abandoning humans).
I don't recall catching any of that in the movies. Instead, they turn it into the typical battle against the unknown/unfamiliar. The monster is not understood, and is grotesque looking, so the people want it gone. Of course, none of the pitchforks and torches are ever carried in the novel.
Of course, there's also the issue of Frankenstein's presentation on screen. In the book, he's clearly described as being yellow; yet, in most of the movies, he's green. Oh, and Frankenstein never yells "it's alive!"
Hi !
The first media must be a local newspaper, or a college one
The second one comes from an economic newspaper or magazine, so there's an analysis which doesn't exist in the first excerpt
sorry for my poor English :)
bye !
Answer:
She is proud of her daughter's success and wants to support it in any way she can.
Explanation:
Answer:
Magda was dehydrated and starving despite Rosa giving her most of her own food. The poignant story “ The Shawl ” by Cynthia Ozick relates one day in the life of Rosa, Magda, and Stella [Rosa’s fourteen year old niece] who are trying survive the Nazi’s concentration camp.
Explanation:
Introducing sentence, body with evidence, closing
