<span>Women - needed to earn their right to vote
Children - were used mainly in factories almost as slaves to poor wage
Indentured Servants - were treated more worse then slaves were
Slaves - had to work till they were useless
Native Americans - were fought off their land
Working Class - treated poorly by rich business mongers </span><span />
Jackson Pollock, Lee Krasner, Willem de Kooning, and Mark Rothko are best-known as pioneers of Abstract Expressionism. But all four were also among thousands of artists and other creatives employed by the government through the Works Progress Administration (WPA) between the years of 1935 and 1943. That the arts would be funded significantly by the federal government—never mind that it would actively employ artists—may well raise an eyebrow today. But working under a subdivision of the WPA known as the Federal Art Project, these artists got to work to help the country recover from the Great Depression, as part of President Franklin D. Roosevelt’s New Deal.
Evidence of impoverishment and a portfolio showcasing one’s skills and commitment to the arts were all that was needed to qualify for the WPA initiative. This and the Federal Art Project’s non-discrimination clause meant that it attracted, and hired, not just white men but also artists of color and women who received little attention in the mainstream art world of the day. These artists created posters, murals, paintings, and sculptures to adorn public buildings.
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Live in concentration camps, close business, and identify themselves with star patches on their chests. These camps were intended to torture and kill Jews and little made it our of them alive.
Explanation:
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The English created new taxes on the colonists, who claimed that only their own elected representatives had that power.
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