Answer:
Hamilton's letter helps us to understand his commitment as the freedom of the country, but it complicates our understanding of his abolitionist position, since the letter has a more widespread than specific content in relation to African Americans.
Explanation:
Hamilton's letter reaffirms his commitment to freedom within the country. Through her I understood Hamilton's motivations to start this fight against the forces, which he believed, were oppressive and limiting for the colonies. However, the letter speaks about hope in a general way, including all citizens within America, but does not specify Hamilton's position on blacks. This within the musical complicates our understanding of Hamilton as an abolitionist, since the original letter is very specific in this regard.
Answer:
Woolf's word choices that suggests that Oliver is preoccupied with how others see him is "looked down"
Below is an excerpt:
<em>"...And from the middle window he </em><em>looked down </em><em>upon the glossy roofs of fashionable cars packed in the narrow straits of Piccadilly."</em>
This suggests that he had a sense of how others see him. The same word choices that revealed that he is preoccupied with how others see him is also seen in line 16 of "The Duchess And The Jeweller":
<em> "...and he would </em><em>look down</em><em> at his legs, so shapely in their perfect trousers; at his boots; at his spats. They were all shapely, shining;..."</em>
Explanation:
The question is culled from "The Duchess And The Jeweller" written by Virginia Woolf.
The short story is centered on a jeweller known as Oliver Bacon who is the only developed character. The story has a reflection of the English society as seen during Woolf's time. The jeweller, Oliver is seen as an ambitious and arrogant man. He became one of the high-ups in the society and lived at Piccadilly, the most expensive place in London.
Adeline Virginia Woolf is the author of "The Duchess And The Jeweller". She is an English writer who is considered to have pioneered and led the use of stream of consciousness as a narrative device.
