Mr. Wiesel chooses not to go with Maria, but gives his family the choice. Elie and his sisters choose not to be separated from their parents.
When thinking about Mr. Wiesel, his choice not be separated from his community is not surprising. Elie describes his father in the very beginning of the book as more attentive to the community than to his family. This choice to keep the family together is also referenced later in the book when the family is forced to separate after getting off the train.
When I think about my family, I think my parents wouldn't have given me the choice. My father would probably have smuggled us out with the first chance and not waited. While he is an optimistic person, he does not trust that everyone has goodness. If we had to make a choice like Eliezer did, I would not have wanted to be separated from my parents. I would've been too afraid to face the unknown without them.
The word, "but" is a coordinating conjunction that is coord in the given sentence.
<h3>What is a conjunction?</h3>
In grammar, conjunction (abbreviated conj or cnj) is part of speech that connects words, phrases, or clauses which can be referred to as the conjuncts of the conjunctions. This definition might also additionally overlap with that of different components of speech, so what constitutes a "conjunction" should be described for every language. In English, a given phrase might also additionally have numerous senses, being both a preposition or conjunction relying on the syntax of the sentence. For example, after is a preposition in "he left after the fight", however, it's miles conjunction in "he left once they fought". In general, a conjunction is an invariable (non-inflected) grammatical particle and it could or won't stand among the gadgets conjoined.
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True cause its critical soooooo True
In Yolen's spellbinding twist on the Round Table legend, Morgause feels that her 17-year-old son Gawaine belongs on the throne of England. As she attempts to install him there, she tangles with both the court wizard and Gawaine himself. The author makes Gawaine the emotional lynchpin of the story; he mistrusts his mother and is wholly devoted to the only slightly older King Arthur. Portrayed here as the North Witch, Morgause detests Arthur (her half-brother, according to Arthurian lore), who she feels has usurped the throne. Morgause sends three of Gawaine's brothers back with him to Arthur's court under a diplomatic pretext, and Merlinnus, learning that one of Morgause's sons intends to assassinate Arthur, manufactures the tale of a sword lodged in a block of stone (which, of course, will prove Arthur's fated place upon the throne to a kingdom that has yet to fully embrace him). Yolen constructs a fascinating history linking Morgause to Merlinnus, and breathes fresh life into well-established characters; their encounters crackle with the vitality of overheard conversations. The dynamic between Merlinnus and Arthur is especially well realized: the former a shrewd, resourceful, fatherly man battling the discomforts of age, the latter a restless young king who merely tolerates the mundane responsibilities of monarchy ("Arthur had never met a chair he liked. Or a sport he disliked"). Yolen has explored Arthurian legend before, but her latest foray is a standout in this enormous canon. Ages 12-up. (May)
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