I believe it would be <span>C) She stood before the mirror courtesying and simpering to her own image, and greeting it as the friend whom she loved better than all the world beside. </span>
As a writer and reader I disagree with this. Perhaps if you are writing for a scientific journal or business report, long blocks of text can seem like you have a lot of info. Generally speaking, especially in fiction and non fiction i think unbroken pages of text will best case scenario bore a reader, worst case scenraio burden and overwhelm them with a lot of info so the feel daunted about continuing.
Answer:“What are you reading, anyway?” she asks, walking ahead into the school. “I found a book in the library about magnolia trees, just like the ones back home in—” “It's time to focus on school now, Langston, and not trees.
The author described the main character's countrymen as scornful and sometimes doubtful but at the end of the story, the author seems to be pleased with his countrymen.
D. That all aspects of the piece should work together to create a certain effect
To create a "unity of effect" on the reader, it should have a certain effect on the reader. Like a really sad and depressing book should not exactly make the reader sad, but to feel the parts of the book that spoke out to the reader.
