I believe the correct answer is C. Copley.
Portrait d'apparat— a Rococo technique of portraying the
subject with objects associated with him in his daily life—was used by American
painter John Singleton Copley, whose portraits and historical subjects are generally
acclaimed as the finest artist of colonial America. The use of Portrait d’apparat
gave his works liveliness and acuity which was not usually associated with
XVIII century American painting.
Answer:
Add white doodles around the outside
Answer:
1. The girl
2. To add depth, so people are drawn to the image.
3. The diagonal lines, because the help create a sense of movement and change.
Explanation:
1. It's a very simple concept that consists of placing your main subject somewhere near the lower, upper, left or right third of your photo scene. As you do this, your subject will become the focal point.
2. Background lines can also be used to create a sense of movement in your images, or to convey a sense of distance or depth. Converging lines that disappear into the distance are a great example of lines that help to draw the viewer into the image, while adding a sense of depth.
3. Good photographers are capable of creating images that naturally draw your eye along subtle, organic lines to a specific focal point. In order to achieve this effect, many skilled photographers use a compositional tool known as leading lines. Leading lines are incredibly effective at directing a viewer’s attention, and learning how to use them will greatly improve your photography composition.
I believe the correct answer is B. scene from everyday life.
The Pre-Raphaelite movement opposed the British Royal
Academy, which championed a narrow range of idealized or moral subjects and
conventional definitions of beauty drawn from Renaissance and ancient classical
art. The artists of this movement were inspired by the centuries preceding the
Italian High Renaissance and they depicted nature and the human body realistically.
Some of the examples of this movement are: “The Lady of Shalott” by John
William Waterhouse and “Ophelia” by John Everett Millais.
